A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of a tag on the back wall of the earthquake-damaged Odeon Theatre. The tag reads, "JFK".
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
Following the devastating 1931 Hawke's Bay earthquake, buildings in Napier and surrounding areas in the Hawke's Bay region were rebuilt in a comparatively homogenous structural and architectural style comprising the region's famous Art Deco stock. These interwar buildings are most often composed of reinforced concrete two-way space frames, and although they have comparatively ductile detailing for their date of construction, are often expected to be brittle, earthquake-prone buildings in preliminary seismic assessments. Furthermore, the likelihood of global collapse of an RC building during a design-level earthquake became an issue warranting particular attention following the collapse of multiple RC buildings in the February 22, 2011 Christchurch earthquake. Those who value the architectural heritage and future use of these iconic Art Deco buildings - including building owners, tenants, and city officials, among others - must consider how they can be best preserved and utilized functionally given the especially pressing implications of relevant safety, regulatory, and economic factors. This study was intended to provide information on the seismic hazard, geometric weaknesses, collapse hazards, material properties, structural detailing, empirically based vulnerability, and recommended analysis approaches particular to Art Deco buildings in Hawke's Bay as a resource for professional structural engineers tasked with seismic assessments and retrofit designs for these buildings. The observed satisfactory performance of similar low-rise, ostensibly brittle RC buildings in other earthquakes and the examination of the structural redundancy and expected column drift capacities in these buildings, led to the conclusion that the seismic capacity of these buildings is generally underrated in simple, force-based assessments.
A photograph of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
An entry from Deb Robertson's blog for 24 September 2015 entitled, "Journalists at Work {Part 3(3) COMS 304}".The entry was downloaded on 3 November 2016.
A story submitted by Rosalee Jenkin to the QuakeStories website.
A story submitted by Lyndsay Fenwick to the QuakeStories website.