Furniture spray-painted with drawings and words as part of the Words of Hope project.
A drawing of buildings and roads on a piece of furniture in the Words of Hope project.
Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project.
A digitally manipulated image of a recruitment advertisement for the NZ Police, which depicted police officer Spence Kingi pulling a woman from the rubble. The photographer comments, "Using Scribbler Too I created my interperation of the police rescue during the 22 February earthquake in Christchurch".
Words and drawings of the shelves of a bookcase in the Words of Hope project. A message reading, "Build Christchurch better - Olivia" can be seen.
Members of the public spray-painting words and drawings on furniture as part of the Words of Hope project. Messages such as "One Love", "Gay Pride" and "Hope" can be seen on the furniture.
Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project. A message can be seen, reading, "Rebuild Christchurch, be proactive, don't be reactive. Don't miss this opportunity, kia kaha".
A sign on a tent set up in the Arts car park at the University of Canterbury after the 22 February 2011 earthquake. The tents were used as temporary lecture rooms while the buildings were being checked for damage. The sign reads, "Clyde 4, ANTH 102 in E338 Drawing Room Mon 11Am, 155 Seat".
Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project. Messages can be seen, such as, "Oneness, lovingness, synchronised hearts", "Take it easy! Yay...words of hope!", "Think differently", "Happy, happy, happy", "Christchurch FTW", "Life is for loving", "Life is beautiful", "Plant and grow", "Rise up", and "Keep going Chch".
Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project. Messages can be seen, such as, "Hope", "Something for everyone", "Equality street", "Food garden", "Opportunity from disaster", "We can do this Chch", "Chch = home", "Love", "Share the land", "Always time for change", "Life is beautiful", and "Sorry folks, this one is too much high rise!".
The cartoon shows the Christchurch Anglican Cathedral tower in ruins and without its steeple. Above the drawing is the date '22.2.11'. A second version shows a huge magnitude 6.3 earthquake tremor on a seismic graph on top of which is the date '22.2.11'. Context - On 22 February 2011 at 12:51 pm (NZDT), Christchurch experienced a major magnitude 6.3 earthquake, which resulted in severe damage and many casualties. A National State of Emergency has been declared. The cathedral tower has collapsed and there has been devastating damage to the remaining structure. The Cathedral is one of around six sites of extreme concern around the city where many are believed to still be trapped. This earthquake followed on from an original magnitude 7.1 earthquake on 4 September 2010 which did far less damage and in which no-one died. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).
Six months after the 4 September 2010 Mw 7.1 Darfield (Canterbury) earthquake, a Mw 6.2 Christchurch (Lyttelton) aftershock struck Christchurch on the 22 February 2011. This earthquake was centred approximately 10km south-east of the Christchurch CBD at a shallow depth of 5km, resulting in intense seismic shaking within the Christchurch central business district (CBD). Unlike the 4 Sept earthquake when limited-to-moderate damage was observed in engineered reinforced concrete (RC) buildings [35], in the 22 February event a high number of RC Buildings in the Christchurch CBD (16.2 % out of 833) were severely damaged. There were 182 fatalities, 135 of which were the unfortunate consequences of the complete collapse of two mid-rise RC buildings. This paper describes immediate observations of damage to RC buildings in the 22 February 2011 Christchurch earthquake. Some preliminary lessons are highlighted and discussed in light of the observed performance of the RC building stock. Damage statistics and typical damage patterns are presented for various configurations and lateral resisting systems. Data was collated predominantly from first-hand post-earthquake reconnaissance observations by the authors, complemented with detailed assessment of the structural drawings of critical buildings and the observed behaviour. Overall, the 22 February 2011 Mw 6.2 Christchurch earthquake was a particularly severe test for both modern seismically-designed and existing non-ductile RC buildings. The sequence of earthquakes since the 4 Sept 2010, particularly the 22 Feb event has confirmed old lessons and brought to life new critical ones, highlighting some urgent action required to remedy structural deficiencies in both existing and “modern” buildings. Given the major social and economic impact of the earthquakes to a country with strong seismic engineering tradition, no doubt some aspects of the seismic design will be improved based on the lessons from Christchurch. The bar needs to and can be raised, starting with a strong endorsement of new damage-resisting, whilst cost-efficient, technologies as well as the strict enforcement, including financial incentives, of active policies for the seismic retrofit of existing buildings at a national scale.
Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.