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Images, eqnz.chch.2010

Photographs of the Brick Art unveiling, Greening the Rubble, on the former Asko site - corner of Victoria and Salisbury Streets, Christchurch 8 February 2011. From the collection of Christchurch City Libraries CCL-Brickart-2011-IMG_2514

Images, UC QuakeStudies

A photograph of a block of damaged shops on the corner of Gloucester Street and Woodham Road. The top of the façade has crumbled. The bricks have fallen to the ground and taken the awnings with them. Wire fencing has been placed around the buildings as a cordon. Signs on the fences indicated that the T Bakery and Red Chilli are open.

Images, UC QuakeStudies

A photograph of members of the New Zealand Police in high-visibility vests and hard hats walking down Barbadoes Street. In the distance, a dome of the Cathedral of the Blessed Sacrament can be seen.

Images, UC QuakeStudies

A photograph of Mayor Bob Parker speaking on a phone in the restaurant and bar in the Christchurch Art Gallery. The Art Gallery served as the headquarters for the Civil Defence after the 22 February 2011 earthquake.

Images, UC QuakeStudies

A photograph of members of Civil Defence and other organisations helping with the emergency response to the Canterbury earthquakes. They are standing on the corner of Montreal and Gloucester Streets outside the Christchurch Art Gallery. The Art Gallery served as the headquarters for the Civil Defence after the 22 February 2011 earthquake.

Images, UC QuakeStudies

A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Images, UC QuakeStudies

A photograph of a poster at the Christchurch City Council Emergency Operations Centre at Pioneer Recreation and Sport Centre in Somerfield. The poster outlines the process for new volunteers.

Images, UC QuakeStudies

A photograph of an earthquake damaged house in Christchurch. USAR codes have been spray painted on the front wall. A red sticker in the window indicates that the building is unsafe to enter.

Images, UC QuakeStudies

A photograph of the earthquake damage to the Cranmer Centre on the corner of Montreal and Armagh Streets. The front wall of the building has crumbled, and the bricks have spilt onto the pavement below.

Images, UC QuakeStudies

A photograph of the earthquake damage to the former Canterbury Public Library on the corner of Hereford Street and Cambridge Terrace. The bricks in the corner of the building have crumbled and masonry can be seen on the footpath below. Wire fences have been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of the earthquake damage to The Volcano Café on London Street. The brick wall on the left side of the building has crumbled, and the bricks have spilt onto the footpath. A red sticker on the door indicates that the building is no longer safe to enter. Plywood has been used to board up the windows and wire fencing has been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of paper hearts with inspirational quotes pegged to a cordon fence. In the background, rubble from an earthquake demolished building can be seen. The hearts read, "'No matter what, no matter where, it's always home if love is there.' P.L. Berger" and "'All the word is full of suffering; it is also full of overcoming.' Helen Keller".

Images, UC QuakeStudies

A photograph of the earthquake damage to the Knox Church on the corner of Bealey Avenue and Victoria Street. The gable wall has crumbled, and the bricks have spilt onto the footpath in front. USAR codes have been spray painted on the walls.

Images, UC QuakeStudies

A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.