A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a stylised face, with the words, "Such a lovely place bro!". There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a stylised face, with the words, "Such a lovely place bro!". There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face, and the silhouette of a suffragette wearing a jester's cap. There is a wire cordon fence in front of the wall.
Late in 2014 we were contacted by contractors working on a rebuild project in Christchurch’s city centre. It was reported that a number of bottles had been uncovered during routine earthworks and the area cordoned off until our arrival. The bottles … Continue reading →
Local independent radio stations in Christchurch, New Zealand, had their operations severely disrupted by major earthquakes in September 2010 and February 2011. This article examines the experiences of three radio stations that were shut out of their central city premises by the cordon drawn around the city after the 22 February quake. One of the stations continued broadcasting automatically, while the others were unable to fully get back on air for several weeks afterwards. All of the stations had to manage access to workspaces, the emotional needs of staff and volunteers, the technical ability to broadcast, and the need to adapt content appropriately when back on air. For the locally based radio managers decisions had to be made about the future of the stations in a time of significant emotional, physical, and geological upheaval. The article explores how these radio stations were disrupted by the earthquake, and how they returned to air through new combinations and interconnections of people, workspace, technology, content and transmission.