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Images for commemoration; more images...

Images, eqnz.chch.2010

Messages strung on rope by the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1217.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.

Images, eqnz.chch.2010

Messages strung on rope by the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1216.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.

Images, eqnz.chch.2010

Messages strung on rope by the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1218.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.

Images, UC QuakeStudies

A sign in the Christchurch Botanic Gardens pointing to a reflection and commemoration area, an area set up for people to reflect on the Christchurch earthquakes and leave a message in the book of condolence.

Images, eqnz.chch.2010

Flowers left under the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1215.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.

Images, eqnz.chch.2010

Flowers left under the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1214.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.

Images, UC QuakeStudies

A photograph submitted by Jennifer Middendorf to the QuakeStories website. The description reads, "22 February 2012. River of Flowers commemoration at Riccarton Bush. Flowers float down the Avon.".

Images, UC QuakeStudies

A photograph submitted by Jennifer Middendorf to the QuakeStories website. The description reads, "22 February 2012. Road cones in Riccarton decorated with flowers in commemoration of the anniversary.".

Images, UC QuakeStudies

A photograph submitted by Jennifer Middendorf to the QuakeStories website. The description reads, "22 February 2012. River of Flowers commemoration at Riccarton Bush. Volunteers hand out flowers just before 12.51.".

Images, UC QuakeStudies

A photograph submitted by Jennifer Middendorf to the QuakeStories website. The description reads, "22 February 2012. River of Flowers commemoration at Riccarton Bush. Tree of Hope, with people’s messages of hope for Christchurch.".

Images, UC QuakeStudies

A photograph submitted by Jennifer Middendorf to the QuakeStories website. The description reads, "22 February 2012. River of Flowers commemoration at Riccarton Bush. After the two minutes silence, people cast their flowers into the Avon.".

Images, UC QuakeStudies

In a vacant lot opposite the CTV building where a building has been demolished, is a commemoration to those who died in the earthquake. It includes a pile of demolition rubble and 185 white stones in honour of each person who lost their life on 22nd February 2011. Around it are also item such as a frame photograph and flowers left by the public.

Images, UC QuakeStudies

In a vacant lot opposite the CTV building where a building has been demolished, is a commemoration to those who died in the earthquake. It includes a pile of demolition rubble and 185 white stones in honour of each person who lost their life on 22nd February 2011. Around it are also item such as a frame photograph and flowers left by the public.

Images, UC QuakeStudies

In a vacant lot opposite the CTV building where a building has been demolished, is a commemoration to those who died in the earthquake. It includes a pile of demolition rubble and 185 white stones in honour of each person who lost their life on 22nd February 2011. Around it are item such as a frame photograph and flowers left by the public.

Images, Canterbury Museum

One circular metal and plastic badge featuring an image of a girl and the words 'We [heart] you Weng'. This personalised badge featuring an image of a girl and a personal message of love, was left at the site of the Canterbury Television (CTV) building after the 22 February 2011 earthquake. It was most likely left in commemoration of someone wh...

Audio, Radio New Zealand

A review of the week's news including: The Labour Party's capital gains tax policy announcement, Act's creative director resigns over newspaper ad, day two and three reports from the Pike River Mine tragedy Royal Commission Of Inquiry, the treatment of Crete veterans during recent 70th anniversary commemorations, Sydenham recovery following Christchurch earthquake, Lonely Planet puts Christchurch back on it's visit list and small brewers angry over Radler beer trademark ruling.

Research papers, University of Canterbury Library

In this paper Paul Millar outlines the development of the University of Canterbury Quakebox project, a collaborative venture between the UC CEISMIC Canterbury Earthquakes Digital Archive and the New Zealand Institute of Language Brain and Behaviour to preserve people’s earthquake stories for the purposes of research, teaching and commemoration. The project collected over 700 stories on high definition video, and Millar is now looking at using the corpus to underpin a longitudinal study of post-quake experience.

Images, Alexander Turnbull Library

Shows a mobile phone with a text on it that reads 'Dear Chch (Christchurch) thinking of u (you) all xxx NZ'. Context: Refers to the commemoration events taking place in Christchurch on 22 February 2012 which is the first anniversary of the 2011 earthquake which killed 185 people. Mobile phones were instrumental in helping to locate victims and in enabling people to communicate with trapped victims. B&W and colour versions of this cartoon available Quantity: 2 digital cartoon(s).

Research papers, University of Canterbury Library

The last few years have seen the emergence of a range of Digital Humanities projects concerned with archiving material related to traumatic events and disasters. The 9/11 Digital Archive, The Hurricane Memory Bank and the CEISMIC Canterbury Earthquakes Digital Archive are a few such projects committed to collecting, curating and making available disaster-related images, stories and media for the purposes of commemoration, teaching and research. In this paper Paul Millar 1. examines the value of such projects in preserving post-disaster memories, 2. explores some differences between passive and active digital memory projects, and 3. asks whether even the most determinedly open and inclusive digital memory project can preserve its values when issues of race, class, gender, politics and economics impact upon its activities.

Research papers, University of Canterbury Library

The combination of music and disaster has been the subject of much study, especially starstudded telethons and songs that commemorate tragedy. However, there are many other ways that music can be used after disaster that provide benefits far greater than money or memorials but are not necessarily as prominent in the worldwide media landscape. Beginning in September 2010, the city of Christchurch, New Zealand, has been struck by several major earthquakes and over 11,000 aftershocks, the most destructive of which caused 185 deaths. As with many other disasters, music has been used as a method of fundraising and commemoration, but personal experience suggests many other ways that music can be used as a coping mechanism and aid to personal and community recovery. Therefore, in order to uncover the connections, context, and strategies behind its use, this thesis addresses the question: Since the earthquakes began, how has popular music been beneficial for the city and people of Christchurch? As well as documenting a wide variety of musical ‘earthquake relief’ events and charitable releases, this research also explores some of the more intangible aspects of the music-aid relationship. Two central themes are presented – fundraising and psychosocial uses – utilising individual voices and case studies to illustrate the benefits of music use after disaster at a community or city-wide level. Together the disparate threads and story fragments weave a detailed picture of the ways in which music as shared experience, as text, as commodity, and as a tool for memory and movement has been incorporated into the fabric of the city during the recovery phase.