In 2010 Neil Challenger, Head of the School of Landscape Architecture at Lincoln University, stated that the malls surrounding Christchurch drove the life out of the inner city of Christchurch. His economic and sociological concerns were expressed even before the earthquake occurred, and this forms the current hesitation on the rebuilding of Christchurch’s inner city. The position of this research proposal is to establish whether an urban architectural intervention can address these economic and sociological concerns and the potentially devastating effects the suburban mall has had on urban life within Christchurch. The thesis specifically asks whether establishing a mall typology as a landmark building within the inner city can strategically engage the damaged historic buildings of post-earthquake Christchurch in ways that actively preserve these historic remnants. The main intention of this research is to engage the damaged historic buildings of post-earthquake Christchurch in ways that actively preserve these remnants and are also economically viable. By preserving the remnants as active, working elements of the urban fabric, they act as historic reminders or memorials of the event and associated loss, while also actively participating in the regrowth of the city. The thesis argues that contemporary architecture can play a strategic role in these imperatives. Overall this research argues that there exists a distinct requirement for large-scale retail in the inner city urban environment that recognises and responds to the damaged cultural and historic architecture of inner city Christchurch. The objective of the thesis is to propose means to rejuvenate not only the economic vitality of central Christchurch,but also its historic character.
The city of Christchurch, New Zealand, was until very recently a “Junior England”—a small city that still bore the strong imprint of nineteenth-century British colonization, alongside a growing interest in the underlying biophysical setting and the indigenous pre-European landscape. All of this has changed as the city has been subjected to a devastating series of earthquakes, beginning in September 2010, and still continuing, with over 12,000 aftershocks recorded. One of these aftershocks, on February 22, 2011, was very close to the city center and very shallow with disastrous consequences, including a death toll of 185. Many buildings collapsed, and many more need to be demolished for safety purposes, meaning that over 80 percent of the central city will have gone. Tied up with this is the city’s precious heritage—its buildings and parks, rivers, and trees. The threats to heritage throw debates over economics and emotion into sharp relief. A number of nostalgic positions emerge from the dust and rubble, and in one form is a reverse-amnesia—an insistence of the past in the present. Individuals can respond to nostalgia in very different ways, at one extreme become mired in it and unable to move on, and at the other, dismissive of nostalgia as a luxury in the face of more pressing crises. The range of positions on nostalgia represent the complexity of heritage debates, attachment, and identity—and the ways in which disasters amplify the ongoing discourse on approaches to conservation and the value of historic landscapes.
The Christchurch City Council coat of arms above the doorway of Our City O-Tautahi.
The Canterbury earthquakes succeeded in all but destroying modern-day Christchurch, but from the rubble has emerged a surprising bonus - an insight into the city's history.
An aerial photograph of the historic BNZ building on Williams Street in Kaiapoi.
A photograph of the Christchurch Club.
A photograph of the Christchurch Club.
After the shock and dust settled from the earthquakes, two friends, Helen Solomons and Wendy Riley, felt so strongly over the loss of the city's historic heart, they decided to put their skills to use and create this living tribute to it on the web.
A guideline created for SCIRT Delivery Teams which outlines the requirements for working around heritage items.
Cultural heritage is a dynamic concept, incorporating the ideas and values of many different organisations and individuals; it is heavily dependent on the context of the item or site being conserved, and transforms something from an old article into a historically significant object. A formal definition of cultural heritage did not appear in the Antarctic Treaty System until 1995, however Antarctic heritage value has been applied to various sites and monuments since the inception of the Treaty, from Shackleton’s Nimrod Hut to a heavy tractor. This report examines a number of case studies to determine the various ways in which heritage items and sites can be managed – such as the removal of the South Pole Dome – as well as their conservation after natural disasters, for instance the Christchurch earthquakes.
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
Context is an important concept in archaeology. Everyday artefacts, often mundane and fragmented, can take on a powerful meaning due to an unusual placement or an association with other material of a different type or function. These circumstances will often … Continue reading →
A video of an interview with Roger Sutton, Chief Executive of CERA, about his vision for Christchurch. Sutton talks about CERA's Christchurch central city blueprint, the need to show off the heritage buildings in Christchurch, how to link the central city to the suburbs, and how to make compromises.
A PDF copy of page 132 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'Hunters & Collectors Building'. Note that images have been removed from the page for copyright reasons.
During the past year or two it has been customary for a number of parties of young men to go into camp at Sumner for the summer months, and to come up to Christchurch during business hours. Special…
Today, through the wonders of archaeology and Papers Past, we bring you the story of Charles Henry Cox, a man whose crime has been buried – literally – for over 100 years. But let’s not get too carried away. As … Continue reading →
A PDF copy of pages 130-131 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CityView AR'. Photo with permission: HITLABNZ
At the start of an archaeological investigation we often consult historical documents to learn as much as we can about a site’s past. Such research can identify the buildings that were once present, the people associated with the site through … Continue reading →
Over the past couple of weeks, we’ve looked at some of the methods we use to date archaeological objects found in Christchurch. This week, we’re going to look at how artefacts, documentary evidence and archaeological context can be used to … Continue reading →
A video of the reopening ceremony for the Heritage Hotel in Cathedral Square, which has been closed since the 22 February 2011 earthquake. The video shows Governor General Sir Jerry Mateparae opening the building while a string trio plays. It also includes footage of a speech by the Governor General, and a tour of the hotel.
An aerial photograph looking west over Cathedral Square with the Christchurch Cathedral in the centre.
The number of fraud cases referred to the Christchurch police by the Earthquake Commission has doubled in the past five months.
Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity. When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair? The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations. This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.
The Octagon Live restaurant, seen from Hereford Street.
The old Public Trust Office building on Oxford Terrace.
Broken windows on the old Public Trust Office building on Oxford Terrace have been covered with plastic sheeting.
Large cracks running down the mud brick chimney of Deans Cottage. The chimney has been supported by wooden bracing.
The building which formerly housed the Coffee Club on High Street, standing alone after surrounding buildings have been demolished.
Damage to the facade of the Cashfields Arcade building, seen above the cordon fencing at the east end of the Re:Start mall.
Scaffolding around Riccarton House, which is under restoration.