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Images, eqnz.chch.2010

Photos taken in Lyttelton showing the demolition of various buildings following the February 22 earthquake. File reference: CCL-2011-05-20-Lyttelton-Demolition-P1120460 From the collection of Christchurch City Libraries.

Audio, Radio New Zealand

Former editor of the Financial Times, and more recently was director general of the Confederation of British Industry, Sir Richard is New Zealand looking at earthquake recovery in Christchurch and to speak about climate change in a business context.

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "An old advertisments which was revealed on a building on Lichfield Street when its neighbour was demolished. The advertisement reads 'New Zealand Candle Co Ltd.' and then adds 'Five Medal, British Sperm', which are brands of candle".

Audio, Radio New Zealand

British researchers have found smokers are twice as likely to succeed in quitting if they receive supportive text messages, the head of the Christchurch Earthquake Rebuilding Agency (CERA) Roger Sutton says there will be no quick end in sight for the ongoing insurance problems in Canterbury and the government's hoping a new deal with Bollywood film-makers could bring millions of dollars into New Zealand.

Audio, Radio New Zealand

The foreign affairs minister says he's satisfied police computers were not at risk from a group of Israelis caught up in the Christchurch earthquake. In a fierce parliamentary debate the British Prime Minister says he regrets hiring a former News of the World journalist, but won't yet apologise for it and the last fugitive indicted for war crimes in the former Yugoslavia is arrested in Serbia.

Images, Alexander Turnbull Library

A female bartender chats with a customer as she pours his beer. She asks him about his jersey, saying 'That's not one of those expensive Adidas jerseys is it?' and he replies 'No - it's a Christchurch "After the quake" jersey!' The jersey has on the front three rectangular shapes that are tipping over. Context: Adidas has been at the centre of a jersey-pricing storm since it was revealed the replica tops could be bought much cheaper overseas. The jersey had been listed for sale at $US79.99 ($NZ92.68) on the US website worldrugbyshop.com and could also be found cheaper on British websites. It was retailing for $220 in New Zealand, but retailers have dropped the price as the debate has raged. Adidas has refused to drop the wholesale price. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Two huge wrestlers, one representing 'Port Hills fault' and the other 'Greendale fault' struggle together over a broken Christchurch. Another wrestler, representing 'Other faults' appears in the distance yelling 'Is it my turn yet?' Context - Christchurch has now had three major earthquakes and thousands of aftershocks. It now appears likely that the Christchurch quakes resulted from activity on a fault extending directly eastward from the Alpine fault that remained unknown until last year, says Roger Musson, a seismologist at the British Geological Survey in Edinburgh. The new fault first came to light last September (4th) when a stronger but less calamitous quake shook Darfield, 40 kilometres west of Christchurch. Musson says the latest quake (Feb 22, 2011) probably resulted from an eastward continuation of activity on the same fault. "It has probably not moved for tens of thousands of years, so lots of strain built up," says Musson. The third major quake happened on 13th June 2011. (New Scientist - February 22, 2011) Quantity: 1 digital cartoon(s).

Research papers, Victoria University of Wellington

Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.