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Images, UC QuakeStudies

Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.

Images, Canterbury Museum

One landscape colour digital photograph taken on 6 September 2011 showing the temporary theatre erected on the site of the Volcano Café on London Street for a production of Macbeth by The Loons Circus Theatre Company. The green canopy supported on shipping containers was used to shelter the audience. The stage area was the demolition site partia...

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.

Images, UC QuakeStudies

University of Canterbury Vice-Chancellor Rod Carr addressing a local musician inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The audience is made up of students who have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.

Videos, NZ On Screen

New Zealand television's longest running children's show turns 30 with a two hour live extravaganza — far removed from its modest, half hour beginnings back in 1981. Current hosts Charlie, Johnson and Gem are joined by a parade of past presenters who reminisce, and compete to find the show's best decade. Masterchef finalist Jax Hamilton provides snacks, and celebrities send greetings. In amongst the cupcakes, gunge, fart jokes and mayhem, the programme enters its fourth decade as an institution, watched by the children of its original audience.