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Images for art; more images...

Images, UC QuakeStudies

A stall selling mosaics of broken mirrors in the shape of houses, crosses and cathedrals. The photographer comments, "The Quake Art on sale at the AandP Show in Christchurch".

Images, UC QuakeStudies

A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".

Other, National Library of New Zealand

An initiative by the CPIT Faculty of Creative Industries to establish gallery and studio spaces for Christchurch artists following the Christchurch earthquake, by using flexible, adaptable cube modules.

Images, UC QuakeStudies

Graffiti on a damaged building on Colombo Street. The photographer comments, "This street art has been unseen by the general Christchurch population as it was off limits in the Red Zone".

Images, UC QuakeStudies

A digitally manipulated image of a recruitment advertisement for the NZ Police, which depicted police officer Spence Kingi pulling a woman from the rubble. The photographer comments, "Using Scribbler Too I created my interperation of the police rescue during the 22 February earthquake in Christchurch".

Audio, Radio New Zealand

Three leading artists: the singer Madeleine Pierard; the children's book illustrator Gavin Bishop and playwright and actor Jacob Rajan discuss why they create work with Paul Bushnell. Awa Press writer Jane Bowron reads from her book Old Bucky & Me: Dispatches from the Christchurch Earthquake.

Audio, Radio New Zealand

Three leading artists: the singer Madeleine Pierard; the children's book illustrator Gavin Bishop and playwright and actor Jacob Rajan discuss why they create work with Paul Bushnell. Awa Press writer Jane Bowron reads from her book Old Bucky & Me: Dispatches from the Christchurch Earthquake.

Images, UC QuakeStudies

A black and white photograph of a partially demolished building. The remains of concrete slabs hang from reinforcing rods. The photographer comments, "Christchurch has a gallery of quake art on nearly every corner".

Audio, Radio New Zealand

Street art has played a major role in bringing life back to Christchurch post-Earthquakes. A major player has been Watch This Space. They are a charitable trust established almost 10 years ago that organises and maintains public art projects in Christchurch, updates their interactive map helping people explore the city, and runs tours. Dr Reuben Woods is the creative director of Watch this Space.

Images, UC QuakeStudies

A digitally manipulated image of Michael Parekowhai's scuplture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "One of the two bulls on pianos by Michael Parekowhai called 'On First Looking into Chapman's Homer'. They have been placed on the site of a building that was demolished after earthquake damage.

Research papers, The University of Auckland Library

This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.