A photograph of architecture students posing for a group photo beneath the LUXCITY installation Kloud.
A photograph of architecture students posing for a group photo beneath the LUXCITY installation Kloud.
A photograph of architecture students posing for a group photo beneath the LUXCITY installation Kloud.
A photograph of architecture students posing for a group photo beneath the LUXCITY installation Kloud.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of an architecture student setting up the Silhouette Carnival installation for LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of an architecture student setting up the Silhouette Carnival installation for LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of an architecture student setting up the Silhouette Carnival installation for LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of an architecture student setting up the Silhouette Carnival installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of architecture students gathering on a vacant site to prepare for the installation of a LUXCITY project.
This project looks at how destroyed architecture, although physically lost, fundamentally continues to exist within human memories as a non-physical entity. The site chosen is Avonside Girls’ High School in Christchurch, New Zealand, a school heavily damaged during the February 22nd earthquake in 2011. The project focuses on the Main Block, a 1930s masonry building which had always been a symbol for the school and its alumni. The key theories relevant to this are studies on non-material architecture and memory as these subjects investigate the relationship between conceptual idea and the triggering of it. This research aims to study how to fortify a thought-based architecture against neglect, similar to the retrofitting of physical structures. In doing so, the importance of the emotive realm of architecture and the idea behind a building (as opposed to the built component itself) is further validated, promoting more broadminded stances regarding the significance of the idea over the object. A new method for disaster recovery and addressing trauma from lost architecture is also acquired. Factors regarding advanced structural systems and programmes are not covered within the scope of this research because the project instead explores issues regarding the boundaries between the immaterial and material. The project methodology involves communicating a narrative derived from the memories alumni and staff members have of the old school block. The approach for portraying the narrative is based on a list of strategies obtained from case studies. The final product of the research is a new design for the high school, conveyed through a set of atmospheric drawings that cross-examines the boundaries between the physical and non-physical realms by representing the version of the school that exists solely within memories.
A photograph of the temporary AMI Stadium, taken during an architectural tour led by an architect from Populous. Populous were the designers of the stadium. The tour was conducted as part of FESTA 2012.
A photograph of the temporary AMI Stadium, taken during an architectural tour led by an architect from Populous. Populous were the designers of the stadium. The tour was conducted as part of FESTA 2012.