Presenting, with the aid of illustrations, the tale of an intrepid archaeologist, her trusty team and her quest to untangle the history of a house. It’s the story of a long lost age, a story for the ages, an age old story, a coming … Continue reading →
As explained at length in the past, archaeologists don’t much like the use of the word ‘treasure‘. But this really is an archaeological treasure trove – lots and lots of artefacts, from which we shall learn lots and lots of fantastic … Continue reading →
A report which details the archaeological investigations carried out during the course of SCIRT project 11232, wastewater renewal work in Sorensens Place.
A report which details the archaeological investigations carried out during the course of SCIRT project 10952, wastewater renewal work on Tuam Street.
A document which describes SCIRT's discoveries and processes regarding archaeological finds on worksites.
Today’s my last day at Underground Overground Archaeology, the company I founded in 2006. This isn’t something I ever thought would happen, but then, when I look back on how my archaeological career has played out so far, there’s not … Continue reading →
A report which details the archaeological monitoring carried out during the course of SCIRT project 11136, repairs to the Gloucester Street bridge.
Here at Underground Overground Archaeology we try not to sweat the small stuff – particularly because the small stuff we find is often super cool and makes us say “aww, that’s cute!”, similar to the way many people react when … Continue reading →
Yet another year gone! It’s been a strange one, out there in the world, but here at Underground Overground it’s been a year of excavation, discoveries, stories and all things archaeological. In the proper spirit of history, let’s take a … Continue reading →
The thing about being a buildings archaeologist is that even though some houses might look the same, the story of their occupants and occupation is always different. These stories of occupation are not always revealed in the archaeology of the … Continue reading →
Ceramic artefacts are some of the most common finds recovered from 19th century Christchurch archaeological sites. Teacups, saucers, plates, dishes, bottles, jars, jugs, chamber pots, wash basins…heaps of objects related to food and drink preparation, consumption and storage as well … Conti...
This blog may lean more heavily on the personal than the archaeological. Every year, thousands of Kiwis and Aussies commemorate ANZAC Day. We take this time to reflect on the losses of war, and the terrible costs it has had … Continue reading →
Recently, Peter Mitchell, one of our building archaeology specialists, recorded a 19th century residential dwelling just on the edge of Christchurch’s Central City. This dwelling was similar in form and function to others we have seen in Canterbury – it … Continue reading →
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.