Photographs of the Brick Art unveiling, Greening the Rubble, on the former Asko site - corner of Victoria and Salisbury Streets, Christchurch 8 February 2011. From the collection of Christchurch City Libraries CCL-Brickart-2011-IMG_2484
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The text of a Pecha Kucha talk titled, "A working week in the Recovery Centre". The talk was given by Moya Sherrif, CCCRC Intern, at the Museums Aotearoa Conference on 4 April 2014.
A photograph of the entrance to Te Wananga o Aotearoa near the corner of Manchester and Cashel Streets.
Colombo Street, looking north from Cathedral Square
Kilmore Street looking west from Manchester Street
Colombo Street looking north towards Cathedral Square, taken from near the corner of Saint Asaph Street.
The Press Building, Cathedral Square
Structural engineers taking a break on the roof of the Warners Hotel, Cathedral Square.
PGC - Pyne Gould Corporation building; photo taken from the roof of the Warners Novotel, Cathedral Square.
Roy Stokes Hall New Brighton - Welfare Distribution Centre
Structural engineers inspecting the Warners Novotel, Cathedral Square.
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View of The Press building, taken from the roof of the Warners Novotel, Cathedral Square.
Ferry Road, heading towards Redcliffs and Sumner.
Colombo Street looking south towards the Port Hills, taken from near the corner of Saint Asaph Street.
The corner of Saint Asaph Street and Colombo Street.
Ferry Road (The Causeway) , heading towards Redcliffs and Sumner.
Ferry Road, Woolston.
Corin Dann reporting from the Christchurch Art Gallery/Civil Defence Headquarters for TVNZ.
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Corner of Hereford & High Street
Palmers Road, near the corner of Caithness Street, New Brighton, Christchurch.
The corner of Saint Asaph Street and Barbadoes Street.
The Press Building, Cathedral Square
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A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. A message in this section reads, "Thank you , New Brighton. Transitional Economic Zone of Aotearoa".
What does it mean to “be in a mood” at school? This question guides this thesis, which analyses the relationship between young people’s experiences of moods and the discourses and pedagogies of moods they encounter at school. The emotions and moods of young people in Christchurch, New Zealand, have, in recent years, come under considerable scrutiny. A national decline in rates of youth mental health and concern over the lasting psychological effects of the 2010-2011 Christchurch Earthquakes have justified increased attention to and funding for youth mental health promotion and school-based mental health education programs. Drawing on a year-long school ethnography at a public girl’s high school in Christchurch with 22 Year 10 students (age 14-15), this thesis examines how young people interact with state and psychiatric discourses of youth and mental health. It explores how young people integrate and transform these discourses in their experiences and knowledges of moods as they relate to mental health, education, friendships, and the (in)stability of the self in time. Additionally, this thesis proposes an anthropological reconsideration of moods. Developing insights from phenomenological and medical anthropology and bringing them into conversation with ethnographic analysis, the approach to moods in this thesis sees two necessarily interconnected ways in which moods become significant for understanding subjectivity and contemporary society. On the one hand, moods are an integral dimension of phenomenological experience in which it is possible to dwell in affective ambiguities, producing open-ended horizons of experience. On the other hand, young people’s experience of moods is refracted through moods’ medicalised formulation as experience that can be bounded, taxonomized, transformed into kinds of knowledge about the self, and thus acted on in distinct and morally situated ways. Attending to the experience of “being in a mood” at school reveals how medical and psychiatric knowledges are woven into moral experience in the everyday. This moral experience of moods has critical implications for how young people in New Zealand today situate the self in relationships, in the world, and in time, and therefore is particularly revealing for developing anthropological understandings of teenage subjectivity
Christchurch Cathedral, photo taken from the Warners Novotel, Cathedral Square.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. A message in this section reads, "Thank you kia ora, New Brighton. Transitional Economic Zone of Aotearoa".