Lyttelton was hit harder than most by the Christchurch earthquakes - particularly the Lyttelton Museum. But now it's back - triumphantly, we may say! - with a little help from its friends, past and present. Key historical figures in Lyttelton's history are brought back to life in a new exhibition by Julia Holden - Lyttelton Redux - which has just opened at Canterbury Museum.
A statue of Antarctic explorer Captain Robert Falcon Scott was broken in the earthquake.
Wellington's about to host a symposium called Shared Lines, inviting artists from Japan, Kaikoura and Christchurch to talk about their experiences and their art.
The track will open this week after being closed for nearly a year after the line suffered extensive damage in last November's earthquake.
Christchurch architect Bob Burnett founded the Superhome movement after his children got sick "bouncing around substandard rentals" after the Christchurch earthquake.
The country's building regulator admits it needs a major overhaul after years scrambling just to react to leaky homes and the Canterbury and Kaikōura earthquakes.
Thirty properties are unlivable while another 170 have restricted access following the Kaikoura earthquake last year. RNZ reporter Conan Young reports from a town meeting.
Their dream home is showing signs of shoddy earthquake repairs.
Six years on from the Christchurch earthquakes, one in five residents of the city say the disaster is still taking its toll. The latest wellbeing survey by the Canterbury DHB found people living in north-east and east Christchurch were the most likely to be suffering from issues such as anxiety, from ongoing aftershocks, being in a damaged environment, and surrounded by construction.
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
Kim Button of the Neighbourhood Trust talks about the emotional scars Christchurch child are bearing after the earthquakes.
Kaikōura's struggling business community wants a container mall similar to Christchurch's re-start mall set up after the Canterbury earthquakes.
The first freight train since the devastating Kaikoura earthquake has chugged into Christchurch, after an historic 348 kilometre journey from Picton.
The Ministry of Education has been forced to apologise for its flawed handling of school closures and mergers after the 2011 Canterbury earthquake.
Six years after Christchurch's destructive 6.3 magnitude earthquake the rebuild programme is now being used to provide training for workers from the region.
A Christchurch family have found themselves stuck with a house that is too unsafe to live in after a fire revealed earthquake damage, which EQC admits it failed to identify.
The public will have its first chance to see an $11 million earthquake memorial today, after family members of the injured and dead held an emotional private service at the site yesterday evening.
After being rocked awake by the massive 7.8 earthquake that hit North Canterbury last November, RNZ reporter Phil Pennington was among the first reporters to be sent to Kaikoura to assess the damage.
Christchurch lawyer Duncan Webb made the shift into politics because of the people left behind after the Christchurch earthquakes. Now he's ahead of National's Nicky Wagner in the latest results.
Built in June 1917, the popular 'Sign of the Kiwi' heritage building in Christchurch's Port Hills has re-opened today after being closed for six years due to earthquake damage.
Many farmers' homes have been red-stickered after the Kaikoura earthquake, but they say they can't leave because their farms aren't just their homes, they're their livelihoods
The increase began after Christchurch's 2011 earthquakes, but the District Health Board is expecting to face even more challenges following effects of the Port Hills fires and last year's earthquake in Kaikoura.
After the magnitude 7.1 earthquake struck Canterbury on 4 September 2010, most media reports claimed that no lives had been lost. But In fact, this first earthquake killed at least 3000 chickens, eight cows, one dog, a lemur and 150 aquarium fish. University of Canterbury associate professor Annie Potts, along with co-author Donelle Gadenne, wrote Animals in Emergencies: Learning from the Christchurch Earthquakes, revealing what happened to the animals during and after the series of quakes. Annie Potts will give a public lecture, 'Animals and natural disasters: Learning from recent earthquakes', on Thursday 16 March, 7pm at UC Ilam campus, Christchurch. Register to attend free at: www.canterbury.ac.nz/ucconnect
Haeata is the first public school in Christchurch to cater for all ages, replacing three eastern suburbs schools that were closed after the earthquakes. RNZ joined more than 900 students for the first day.
The Education Ministry has apologised after a critical report from the Chief Ombudsman said the ministry failed to fully inform Christchurch schools before revealing plans in 2012 to close and merge 38 of them following the Christchurch earthquake.
At the turn of the 20th century, Christchurch’s rubbish disposal underwent a fiery transformation. After 50 years of settlement, Christchurch was facing a rubbish crisis that was starting to get people worried. The council’s weekly kerbside rubbish collection service, which … Continue reading →
The Re:Start container mall was one of the first things to pop up in the city's derelict central business district after the February 2011 quake, but now it's preparing to close up shop, as Maja Burry reports.
Work has finally begun dismantling Lancaster Park in Christchurch, six years after it was damaged beyond repair in the February earthquake. It comes at the same time the city's leaders debate what a new stadium could look like and who will pay.
Research in the governance of urban tourist spaces is characterized by a lack of argumentative inquiry and scant use of critical theory. This is evident, particularly, in the study of tourism and post-disaster urban recovery, with very few contributions assessing the phenomenon from a social theory perspective. This thesis examines the complex phenomenon of planning and governance for urban tourism spaces in contexts facing physical recovery from natural disasters. It does so by looking at the governance dynamics and the mechanism of decision- making put in place before and after triggering events like earthquakes and tsunamis. This thesis provides evidence from Christchurch, New Zealand, by focusing on the policies and strategies for the regeneration of the city centre put in place before and after the disruptive earthquakes of 2010 and 2011. The thesis looks at power relations, structures and ideologies through a Lukesian appraisal of pre-and-post disaster governance from two relevant urban tourist spaces located in the Christchurch central city area: the Arts Centre of Christchurch and the Town Hall and Performing Arts Precinct. The research strategy adopted for the study combined archival research, interviews with key stakeholders and fieldwork notes over a period of two years. The research deployed a comparative case study methodology that focuses on projects taking place within a spatially defined area of the city centre where special legislation was enacted as result of the earthquakes. The findings from the interviews and their triangulation with documents retrieved from national and local authorities suggest that the earthquakes affected the engagement among stakeholders and the mechanisms of decision-making. Also, the findings show patterns of disaster capitalism in post-earthquake governance for urban tourist spaces in the Christchurch CBD, with episodes of exclusion, lobbying and amendment of rules and legislation that directly benefited the interests of a narrow group of privileged stakeholders. Overall, the study shows that the earthquakes of 2010 and 2011 accelerated neoliberal practices of site development in Christchurch, with the seismic events used as a pretext to implement market-oriented site projects in the CBD area.
A 150 metre memorial wall will be unveiled on the banks of the Avon today six years after the devastating earthquake hit Christchurch. Bruce McEachen says it is an inspiring place and the wall will perform every function the families need it to.