An entry from Jennifer Middendorf's blog for 7 December 2013 entitled, "Time for some pretty sparkles".
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A heart has been drawn in chalk on the wall of a residential property on Cannon Hill Crescent, Mt Pleasant. The time and date of the 22 February 2011 earthquake have been written inside.
Shands Emporium standing alone on Hereford Street, the buildings on either side of it demolished. The photographer comments, "This lovely old building looks a little more broken every time I see it, after having been exposed to the elements for so long".
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/2013-2/