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Images for Teresa; more images...

Images, UC QuakeStudies

A photograph of paper hearts pegged on the cordon fence around the Chinese Methodist Church on Papanui Road. Quotes on the hearts read, "'Even though I walk through the valley of the shadow of death, I will fear no evil for you are with me.' Psalm 23", "'We can do no great things; only small things with great love.' Mother Teresa, and, "'Peace begins with a smile,' Mother Teresa". In the background, the earthquake damage to the Christchurch Chinese Methodist Church can be seen. The wall of the gable has crumbled, the bricks spilling onto the grass below.

Images, UC QuakeStudies

Foam hearts with uplifting messages pegged to the fence surrounding Knox Presbyterian Church. The heart on the left reads, "We're all in this together. Christchurch, we love you! Xx". The heart on the right reads, "'We can do no great things; only small things with great love.' Mother Teresa

Audio, Radio New Zealand

A school pool, a BMX bike club and a music school are among twenty organisations in Christchurch that have benefitted from the final grants from an international appeal for re-building the quake-damaged city. The Christchurch Earthquake Appeal has so far raised almost 100 million dollars, and as our reporter Teresa Cowie discovered, the latest 8 million dollars that's been released from the fund is giving a welcome boost to residents.

Research Papers, Lincoln University

Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.