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Articles, Lost Christchurch

Whale at Sumner Provides Amusement for Trippers “Considerable excitement was caused at Sumner at about 3 o’clock yesterday afternoon, when it was reported that something like a large upturned boat …

Images, eqnz.chch.2010

Nearly 80 40 foot containers (most two high) protect Wakefield Avenue in Sumner from further rock falls. Behind these (to the left) are houses, church, bowling club, RSA (Returned Servicemens Association) and other community buildings that have been isolated now for nearly two years now. On the right upper third boundary (just behind two stand a...

Videos, UC QuakeStudies

A video of an interview with Terry Huggins about a boulder crashing into the side of his neighbour's house in Sumner. The boulder came lose from the cliffs above and smashed through the deck of the house into one of the supporting poles. It is the third large boulder to hit the house, with one also lodged in a bedroom.

Audio, Radio New Zealand

A villa built on the Sumner Esplanade in Christchurch early last century has been saved from demolition and given a new lease of life. A Queenstown couple couldn't bear to see the beautiful home demolished after the earthquakes, so they bought it, had it cut into two pieces and trucked the 500-kilometres south to the Gibbston Valley near Queenstown.

Images, eqnz.chch.2010

20130125_1749_1D3-400 Road Closed 1 The Lyttelton side of Evans Pass is closed (since the earthquake 23 months ago - 22/02/11). Prior to the road tunnel (through the Port Hills) opening in the early 1960s this was the main access road to the port of Lyttelton. #3072

Images, Alexander Turnbull Library

The Earthquake Commission calls a householder and tells him the 'good news' that his house which was left by the earthquakes in 'such an angle you couldn't live in it' has been refloated by the recent heavy rain and is now level again. The 'bad news' is that the house was last seen floating in the sea off Sumner. In June 2013 heavy rains had caused flooding in Canterbury. Christchurch was affected especially in the liquefaction prone areas, where the ground had sunk because of the earthquakes. Colour and black and white versions available Other Titles - Evans, Malcolm Paul, 1945-:"Established in a conservation estate...likely to harm our unique flora and fauna..." 31 May 2013 Quantity: 2 digital cartoon(s).

Research papers, Victoria University of Wellington

In the aftermath of the 2011 earthquake, a state of polycentric urbanity was thrust upon New Zealand’s second largest city. As the city-centre lay in disrepair, smaller centres started to materialise elsewhere, out of necessity. Transforming former urban peripheries and within existing suburbs into a collective, dispersed alternative to the city centre, these sub-centres prompted a range of morphological, socio-cultural and political transformations, and begged multiple questions: how to imbue these new sub-centres with gravity? How to render them a genuine alternative to the CBD? How do they operate within the wider city? How to cope with the physical and cultural transformations of this shifting urbanscape and prevent them occurring ad lib? Indeed, the success and functioning of the larger urban structure hinges upon a critical, informed response to these sub-centre urban contexts. Yet, with an unrelenting focus on the CBD rebuild - effectively a polycentric denial - little such attention has been granted.  Taking this urban condition as its premise and its provocation, this thesis investigates architecture’s role in the emergent sub-centre. It asks: what can architecture do in these urban contexts; how can architecture act upon the emergent sub-centre in a critical, catalytic fashion? Identifying this volatile condition as both an opportunity for architectural experimentation and a need for critical architectural engagement, this thesis seeks to explore the sub-centre (as an idea and actual urban context) as architecture’s project: its raison d’etre, impetus and aspiration.  These inquiries are tested through design-led research: an initial design question provoking further, broader discursive research (and indeed, seeking broader implications). The first section is a site-specific, design for Sumner, Christchurch. Titled ‘An Agora Anew’; this project - both in conception and outcome - is a speculative response to a specific sub-centre condition. The second section ‘The Sub-centre as Architecture’s Project’ explores the ideas provoked by the design project within a discursive framework. Firstly it identifies the sub-centre as a context in desperate need of architectural attention (why architecture?); secondly, it negotiates a possible agenda for architecture in this context through terms of engagement that are formal, critical and opportunistic (how architecture?): enabling it to take a position on and in the sub-centre. Lastly, a critical exegesis positions the design in regards to the broader discursive debate: critiquing it an architectural project predicated upon the idea of the sub-centre.  The implications of this design-led thesis are twofold: firstly, for architecture’s role in the sub-centre (especially to Christchurch); secondly for the possibilities of architecture’s productive engagement with the city (largely through architectural form), more generally. In a century where radical, new urban contexts (of which the sub-centre is just one) are commonplace, this type of thinking – what can architecture do in the city? - is imperative.