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Images for Ruin; more images...

Images, eqnz.chch.2010

Awaiting restoration, the Cathedral was damaged in a series of major earthquakes. 52 in 2018: 30. Ruin or Archaelogical site

Audio, Radio New Zealand

Provincial towns and rural communities around the country say they will be financially ruined under proposals to strengthen buildings following the Christchurch earthquakes. Dale Williams is Mayor of Otorohanga, Dave Cull is Mayor of Dunedin and Lawrence Yule is Mayor of Hastings and president of Local Government NZ.

Audio, Radio New Zealand

A story of hope, at least when it comes to the rebuilding challenge ahead, particularly of Christchurch's badly damaged Cathedral. The Australian city of Newcastle suffered a major earthquake in 1989, and over the next few years put huge effort into rebuilding, virtually brick by brick, its ruined Cathedral. John McNaughton, who was the Lord mayor of Newcastle who oversaw the rebuild, joins us.

Images, eqnz.chch.2010

Scavenger Hunt 101 - SH 8 (abandoned building or ruin) The ruins/remains of what was the third highest building in Christchurch, pre earthquakes, the Price Waterhouse Coopers building in Armagh Street. At 76.3 metres ( 21 floors) the demolition has left the basement (now flooded) and these supports. Just one of many photos from Christchurch ...

Images, Alexander Turnbull Library

The cartoon shows rubble and ruined buildings after the Canterbury earthquake of 4th September 2010. Rats representing 'looters' run over the buildings taking advantage as do cockroaches representing 'politics'. Refers to a certain amount of looting but also the high profiles during the aftermath of Mayor Bob Parker with local body elections only a few weeks away and PM John Key in particular. Quantity: 1 digital cartoon(s).

Videos, UC QuakeStudies

A video of an interview with James Jameson about the lack of access to his apartment in the Victoria Apartments. Many of Jameson's possessions have been trapped in the building since the 22 February 2011 earthquake, including irreplaceable art and book collections. After the earthquake, Jameson was given a couple of hours to retrieve his computer and other essentials, but he has not been allowed in since. Jameson talks about the lack of communication from the authorities , the likelihood that his possessions have been ruined, and his inability to make an insurance claim until he knows he definitely cannot retrieve his possessions.

Images, Alexander Turnbull Library

The cartoon shows the word 'survivors' in very large print which fades out towards the end of the word. A second version is the same as the first but has the text 'Search called off' in the top left corner. A third version shows the word 'survivors' against a background of the ruined Christchurch Cathedral. Context - The moment when it was realized that no more people could have survived the Christchurch of 22 February 2011. To date there have been about 165 confirmed dead but there are more bodies still trapped in the rubble of collapsed buildings. Three versions of this cartoon are available Quantity: 3 digital cartoon(s).

Images, Alexander Turnbull Library

In the living room of a house half-ruined by the Christchurch earthquake a decrepit and useless-looking man in a grubby white singlet doses in his armchair with a glass of beer in his hand; his wife whispers to a friend 'Just between you and me, I'm hoping to have him red-stickered!' Context - The two Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the technique of using different coloured stickers to designate the degree of damage to buildings - 'red' indicates that it needs to be demolished. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Research Papers, Lincoln University

High rise developments dominate skylines and are contentious in many low rise urban environments. Christchurch is no exception and its residents have historically been vocal in articulating their opinions on matters they care about, especially in regard to projects they perceive will ruin their ‘garden city’. At the turn of the millennium, developers were preparing yet another proposal which would get the tongues wagging in Christchurch with the development of the former Ferrymead Tavern site on Ferry Road. The planning process was a long and antagonistic one with many individuals viewing the built towers with a look of ‘disgust’ and discontent. In an ironic twist, the seismic activity in Christchurch over the last few years which has had major implications for a range of planning issues, incrementally led to the death of highly controversial Ferrymead ‘Water’s Edge’ Apartments.

Research papers, Victoria University of Wellington

Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity.  When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair?  The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations.  This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.

Research papers, Victoria University of Wellington

On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably.  This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch.  The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum.  This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch.  This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free.  This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.