A PDF copy of pages 344-345 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Canterbury Quakes'. Photos courtesy of Canterbury Museum
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her fourth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her fifth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her third month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her second month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her first month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). This blog post was downloaded on 18 November 2014.
A PDF copy of pages 340-341 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Quake City'. Photos courtesy of Canterbury Museum
A photograph of the temporary QuakeCity museum at Re:START mall.
A photograph of the Green Frame exhibition at the Wigram Airforce Museum.
A photograph of the Green Frame exhibition at the Wigram Airforce Museum.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
Caleb Middendorf tries out the penny farthing bicycle in one of the reopened galleries of the Canterbury Museum.
An aerial photograph looking west over the Arts Centre and Christ's College towards Hagley Park. The photograph has been captioned by BeckerFraserPhotos, "At the centre of this photo is a group of heritage stone buildings. Canterbury Museum and Christ's College were extensively earthquake strengthened prior to the EQs and re-opened to the public relatively quickly. The Arts Centre is undergoing extensive renovations. Hagley Park and the Botanic Gardens provide a richly colourful surrounding to these historic buildings".
An entry from Jennifer Middendorf's blog for 11 January 2013 entitled, "Only slightly loco".
A PDF copy of pages 336-337 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Green Frame Exhibition'.
Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity. When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair? The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations. This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.