An article from Air Force News April 2011 titled, "Business Refugees Move into Museum".
An article from Air Force News April 2011 titled, "Helping Hand for Lyttelton Museum".
An image from an Air Force News April 2011 article titled, "Helping Hand for Lyttelton Museum". In the image, four men from the Air Force Museum are carrying a model ship out of the museum.
Photograph captioned by BeckerFraserPhotos, "People outside the Canterbury Museum. The Museum re-opened to the public on 4 September, 2011".
An image from an Air Force News April 2011 article titled, "Helping Hand for Lyttelton Museum". The image depicts the damaged Lyttelton Museum with a broken top wall and wire fencing around the building.
The text of a Pecha Kucha talk titled, "A working week in the Recovery Centre". The talk was given by Moya Sherrif, CCCRC Intern, at the Museums Aotearoa Conference on 4 April 2014.
Photograph captioned by BeckerFraserPhotos, "Athletes perform on the barriers outside the Canterbury Museum".
Photograph captioned by BeckerFraserPhotos, "This man was often outside the Canterbury Museum playing the recorder".
Photograph captioned by BeckerFraserPhotos, "Canterbury Museum".
Photograph captioned by BeckerFraserPhotos, "Museum in Norwich Quay, Lyttelton".
Photograph captioned by BeckerFraserPhotos, "Canterbury Museum re-opened to the public on the 1st anniversary of the September earthquake, 4 September, 2011".
Photograph captioned by BeckerFraserPhotos, "Outside the Canterbury Museum".
Photograph captioned by BeckerFraserPhotos, "Canterbury Museum".
Photograph captioned by BeckerFraserPhotos, "People entering the Botanical Gardens and being registered for The Big Hug".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Sumner Museum".
A photograph captioned by Paul Corliss, "Lyttelton Museum".
A PDF copy of pages 344-345 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Canterbury Quakes'. Photos courtesy of Canterbury Museum
Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.
A blog post from Moya Sherriff about her eighth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews staff of the Kaiapoi Museum about losing their museum building following the Canterbury earthquakes, and moving their collections into the Canterbury Cultural Collections Recovery Centre. This blog post was downloaded on 18 November 2014.
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
A blog post written by Thérèse Angelo, Director of the Air Force Museum of New Zealand. This is the third guest post in the NZ Museums blog series marking the first anniversary of the Christchurch earthquake. This blog post was downloaded on 4 February 2015.