Professor Jacky Bowring has been a consultant to both the Ministry for Culture and Heritage, and CERA for the process for the EQ Memorial, as well as for the Christchurch City Council from the early days of the Recovery Plan, when the section on 'Remembering the Earthquakes' was developed. It was one of those times when her areas of research and passion suddenly became very real.
People have written messages and signed their names on the stones
A document describing the early warning system to alert team members of ground and structural movement at the Arch.
A document describing the use of a remotely operated hydraulic jaw crusher to avoid the need to make confined space entries.
A web story about a site visit to the Bridge and Arch by local school pupils.
A document describing the confined spaces "dummy run".
A document describing Downer's approach to containing bentonite when drilling micro piles for the new Arch foundations.
A web story about the model design work by Christ's College pupils.
A document describing Downer's planned approach for neutralising the high pH of any potential bentonite or grout discharge into the Avon river.
A document describing the use of 3D modelling for construction methodology.
An entry from Ruth Gardner's Blog for 29 May 2014 entitled, "Memorial for Matti".
Page 3 of Section A of the Christchurch Press, published on Monday 24 February 2014.
Page 1 of Section A of the Christchurch Press, published on Tuesday 4 February 2014.
Page 5 of Section A of the Christchurch Press, published on Saturday 11 January 2014.
Page 19 of Section A of the Christchurch Press, published on Wednesday 19 February 2014.
A video of dance and physical theatre featuring Julia Guthrey, Matt Grant, Elizabeth Guthrey, Laura and Claudia. The piece incorporates the public memorial art installation '185 Chairs' by Peter Majendie, on the corner of Madras Street and Cashel Street.
Page 1 of Section A of the Christchurch Press, published on Tuesday 8 July 2014.
A copy of a letter from Hugo Kristinsson which was sent to Prince William, the Duke of Cambridge, on 2 March 2014 . The letter was sent on behalf of Empowered Christchurch, as a response to the letter read by the Prince at the official Civic Memorial Service on the 22 February 2014. Kristinsson thanks the Prince for his letter and updates him on the progress of the rebuild. He expresses his respect for King George VI and Queen Elizabeth for their compassion in the early 1940s to the victims of bombing raids during the war and acknowledge's Prince William and Prince Harry's philanthropy through The Royal Foundation of the Duke and Duchess of Cambridge and Prince Harry and The Princes' Charities Forum. Lastly he implores the Prince and the Duchess of Cambridge to visit residents from the 'low-lying seaside side of the city' who 'feel that their plight has been trivialised by the authorities in favour of prestigious big-budget projects'.
To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript
Page 4 of Section A of the Christchurch Press, published on Saturday 22 February 2014.
Topics - If you like a quiet time, head for the Spanish city of Seville. Seville's silent summer, they're calling this. They've banned outdoor noise. Seville's been noisy; flamenco singers, old men playing dominoes, bar patrons chatting. The city councillors have now banned most of this, and they seem to have support. Gerry Brownlee the Earthquake Recovery Minister will have the final say over what happens to a piece of land near Christchurch airport, on the corner of Memorial Ave and Russley Road. It's currently zoned as rural, but industrial development could be on the cards. The NYT wonders why with so much violence in movies and games, the big Comic-con pop entertainment convention in San Diego is so peaceful. John Banks snapped phone-driving, we saw at the weekend. John Banks accused of breaking the law again, this time for using a cellphone while driving.
The UC CEISMIC Canterbury Earthquakes Digital Archive was built following the devastating earthquakes that hit the Canterbury region in the South Island of New Zealand from 2010 – 2012. 185 people were killed in the 6.3 magnitude earthquake of February 22nd 2011, thousands of homes and businesses were destroyed, and the local community endured over 10,000 aftershocks. The program aims to document and protect the social, cultural, and intellectual legacy of the Canterbury community for the purposes of memorialization and enabling research. The nationally federated archive currently stores 75,000 items, ranging from audio and video interviews to images and official reports. Tens of thousands more items await ingestion. Significant lessons have been learned about data integration in post-disaster contexts, including but not limited to technical architecture, governance, ingestion process, and human ethics. The archive represents a model for future resilience-oriented data integration and preservation products.