This presentation outlines the impacts on the Maori community of the Christchurch earthquakes including responses, resilience and population movements.
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The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
The whare whakairo or traditional Māori meeting house plays an important part in Māori society and identity. These whare tell the tale of their origin, and in so doing, the origins of their people. The analysis of the meeting house, the histories expressed in its decorative carvings and structural elements are inextricably linked with and dependent upon the structure of the world created by myth and the Māori worldview. However, due to the deleterious effects of colonisation, the art of wood carving and associated architectural practices - central to Māori identity, suffered decline in many parts of the country, leading to the decline of Māori culture and identity. Sir Apirana Ngata instigated the National Institute of Māori Arts and Crafts to resurrect the dying art of Māori carving and carved houses would be a catalyst for the restoration of Māori culture throughout the country. Ngata saw these whare whakairo as being the heart of Māori communities by establishing a renewed sense of belonging and identification with space for Māori, through the telling of tribal histories and emphasising key geographical features. New threats in the form of global hegemony and urbanisation have further impacted on Māori notions of identity, creating a generation of displaced urban Māori youth. This research proposes to establish an architectural response to capture displaced Māori youth through the resurrection of the Māori carving school and return to them the lost stories of their cultural history and identity. This program will be developed within the complex challenges that exist within post-earthquake Ōtautahi/Christchurch, where many have lost homes and livelihoods, especially Māori youth in the Eastern Suburbs. The building elements of the proposed Māori carving school give reference to the historio-cultural features of the original Ōtautahi/Christchurch landscape that are situated in tribal song and myth. It is envisioned that the development of a Māori carving school will help restore Māori identity and a renewed sense of belonging, and allow for the telling of this generations stories through traditional narratives.
The disastrous earthquakes that struck Christchurch in 2010 and 2011 seriously impacted on the individual and collective lives of Māori residents. This paper continues earlier, predominantly qualitative research on the immediate effects on Māori by presenting an analysis of a survey carried out 18 months after the most destructive event, on 22 February 2011. Using a set-theoretic approach, pathways to Māori resilience are identified, emphasising the combination of whānau connectivity and high incomes in those who have maintained or increased their wellbeing post-disaster. However, the results show that if resilience is used to describe a “bounce back” in wellbeing, Māori are primarily enduring the post-disaster environment. This endurance phase is a precursor to any resilience and will be of much longer duration than first thought. With continued uncertainty in the city and wider New Zealand economy, this endurance may not necessarily lead to a more secure environment for Māori in the city.
A graphic giving the status of Te Kura Kaupapa Maori O Waitaha.
The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
A graphic giving the status of Te Kura Kaupapa Maori O Te Whanau Tahi.
A photograph of unfinished art work using Māori motifs, at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre located on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
People have lived in the Christchurch area for at least 700 years, and one of the earliest large settlements was at Redcliffs – Raekura – where a wide variety of naturally occurring foods could be obtained. There were shellfish on … Continue reading →
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ruawhiti Pokaia with his wife Marisa. The caption reads, "Ko te reo Maori te manawa o toku ahua. The Māori language is the heart of my identity".
A digtial copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Mairehe Louise and Te Aowharepapa Tankersley. The caption reads, "Ko te reo Māori tōku oraka pai. The Maori language is the foundation of my wellbeing".
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif.
A PDF copy of a report prepared for All Right?, which documents the findings of exploratory research among Māori in greater Christchurch.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif and the letters "ChCh".
Indigenous Peoples retain traditional coping strategies for disasters despite the marginalisation of many Indigenous communities. This article describes the response of Māori to the Christchurch earthquakes of 2010 and 2012 through analyses of available statistical data and reports, and interviews done three months and one year after the most damaging event. A significant difference between Māori and ‘mainstream’ New Zealand was the greater mobility enacted by Māori throughout this period, with organisations having roles beyond their traditional catchments throughout the disaster, including important support for non-Māori. Informed engagement with Indigenous communities, acknowledging their internal diversity and culturally nuanced support networks, would enable more efficient disaster responses in many countries.
One of five Maori social service providers losing a Family Start contract is choosing not to fight the decision in court - and will instead attempt to win back the business; Maori business leaders who've recently returned from China say the trip has already resulted in new export deals - including a five-tonne shipment of mussels to a Chinese town; A new Maori education group says iwi are sleeping giants that have woken up to help tamariki do better at school; A new study into the effects of the Canterbury earthquakes on Maori mental health patients is promising to offer a unique perspective on how Maori live after devastating events.
Maori business leaders who've recently returned from China say the trip has already resulted in new export deals - including a five-tonne shipment of mussels to a Chinese town; One of five Maori social service providers losing a Family Start contract is choosing not to fight the decision in court - and will instead attempt to win back the business; A new Maori education group says iwi are sleeping giants that have woken up to help tamariki do better at school; A new study into the effects of the Canterbury earthquakes on Maori mental health patients is promising to offer a unique perspective on how Maori live after devastating events.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows the word "Butterfly", written with butterflies. There are also Māori motifs in the centre of the fence.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Mere Peawini. The caption reads, "Te reo Māori is just who I am".
An entry from Sue Davidson's blog for 3 September 2013 entitled, "Maori Wardens train on DORA".
The earthquakes that struck Ōtautahi/Christchurch began September 2010 and continued throughout2012 with the worse shock being February 22, 2011. The extended ‘seismic event’ radically altered thegeophysical and socio-cultural environments of the city. This working paper presents a broad array of datadescribing the impacts of the disaster on Māori. These data frame the results of small email surveyconducted 18 months after the most destructive February 22, 2011. This survey followed two projectsinvestigating the resilience of Māori to the disaster (Lambert & Mark-Shadbolt, 2011; Lambert & Mark-Shadbolt, 2012; Lambert, Mark-Shadbolt, Ataria, & Black, 2012). Results show that while the termresilience has become common to the point of cliché, the Māori experience thus far is best described asendurance.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Kaylee Mills. The caption reads, " Te reo Māori opens my mind to new concepts and gives me a sense of belonging".
A video of an interview with Andy Dodd, archaeologist at Underground Overground Archaeology, and Rewi Couch, representative for Te Hapu o Ngai Te Wheke, about the excavation of the site of the former Lyttelton Post Office on Norwich Quay. A Maori adze was found by the archaeologists deep beneath the concrete foundations of the building. The adze is a woodworking tool which indicates that early Maori settlers may have carved and launched waka on the site.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Alex Solomon. The caption reads, "Kapa haka is about celebrating who we are individually, as whānau and as Māori".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of brothers Ridge and Chase Kamo. The caption reads, "Te reo Māori is about being proud of our family, friends and who we are".