A photograph of Jemma Syme and Ed Lust watching a film inside Picture House. Picture House is a mobile cinema for two people. It was created out of a billboard trailer by Tessa Peach and Heather Hayward of Makeshift, for FESTA 2013.
A photograph of Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach of Makeshift, for FESTA 2013.
A photograph of Tessa Peach setting up Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created by Tessa Peach and Heather Hayward of Makeshift. It was created out of a billboard trailer, for FESTA 2013.
A photograph of someone watching a film inside Picture House. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House is a mobile cinema for two people, created out of a billboard trailer for FESTA 2013.
A photograph of Heather Hayward (left) and Tessa Peach at Cathedral Junction with their creation Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Heather Hayward parking Picture House outside Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript
Photograph captioned by BeckerFraserPhotos, "Looking out onto the 'stage' of the makeshift theatre in London Street, Lyttelton".
A photograph of a makeshift café set up by Lyttelton Coffee Co outside the Christchurch City Council in Lyttelton.
Photograph captioned by BeckerFraserPhotos, "A wall poster advertising Macbeth at the makeshift theatre in London Street, Lyttelton".
Photograph captioned by BeckerFraserPhotos, "Part of the makeshift theatre on the site of the demolished Volcano Cafe in London Street, Lyttelton".