A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall of the Wunderbar in Lyttelton.
A photograph of a tag on a fence in front of the Wunderbar in Lyttelton.
A photograph of street art at the corner of Dublin Street and London Street in Lyttelton.
A photograph of street art at the corner of Dublin Street and London Street in Lyttelton.
This week on the blog, we look at what we found beneath a local landmark in the community of Lyttelton: the newly refurbished Albion Square. The Albion Square, on the corner of London and Canterbury streets, is home of the … Continue reading →
A photograph of street art on Norwich Quay in Lyttelton. The artist is Fat - HRA. There are building materials in the foreground.
A photograph of street art on Norwich Quay in Lyttelton. The artist is Fat - HRA. There are building materials in the foreground.
A photograph of street art on Norwich Quay in Lyttelton. The artist is Fat - HRA. There are building materials in the foreground.
A photograph of street art on the wall of a building near the Wunderbar in Lyttelton. The artwork depicts Stonehenge and a rising sun in red.
A photograph of street art on the wall of a building near the Wunderbar in Lyttelton. The artwork depicts Stonehenge and a rising sun in red.
A photograph of street art on the wall of a building near the Wunderbar in Lyttelton. The artwork depicts Stonehenge and a rising sun in red.
A photograph of a mural on a wall in the former site of a building on Norwich Quay in Lyttelton. Construction material has been laid up against the mural.
A photograph of a tag on the back of the Wunderbar on London Street in Lyttelton. A message has been written under the tag, reading, "Next time you scribble on walls, how about adding a bit of colour...xxx".
A photograph of a tag on the back of the Wunderbar on London Street in Lyttelton. A message has been written under the tag, reading, "Next time you scribble on walls, how about adding a bit of colour...xxx".
A photograph of a mural on a wall in the former site of a building on Norwich Quay in Lyttelton. Sections of reinforcing steel have been laid up against the mural.
A photograph of a mural on a wall in the former site of a building on Norwich Quay in Lyttelton. Sections of reinforcing steel and other construction material have been laid up against the mural.
A photograph of a mural on a wall in the former site of a building on Norwich Quay in Lyttelton. A skip, several pallets, and other construction material have been placed in front of the mural.
A photograph of a mural on a wall in the former site of a building on Norwich Quay in Lyttelton. There is a portacom on the site, and construction material is leaning against the mural.
A paper which outlines SCIRT's approach to asset assessment, design and repair of damaged retaining walls, and presents a case study of a retaining wall rebuild, on Cunningham Terrace, Lyttelton.
Regarded as Christchurch’s oldest home, this two storey farm cottage was built in 1851-2 for Mr. Parkerson, a surgeon. It was built with 600 mm thick scoria stone blocks quarried from Lyttelton and roofed with Welsh slate. The layout of this cottage … Continue reading →
Elevated levels of trace elements in the environment are of great concern because of their persistence, and their high potential to harm living organisms. The exposure of aquatic biota to trace elements can lead to bioaccumulation, and toxicity can result. Furthermore, the transfer of these elements through food chains can result in exposure to human consumers. Sea-fill or coastal fill sites are among the major anthropogenic sources of trace elements to the surrounding marine environment. For example, in the Maldives, Thilafushi Island is a sea-fill site consisting of assorted municipal solid waste, with multiple potential sources of trace elements. However, there is limited data on environmental trace element levels in the Maldives, and although seafood is harvested from close to this site, there is no existing data regarding trace element levels in Maldivian diets. Following the Christchurch earthquakes of 2011,
he strong motion station at Heathcote Valley School (HVSC) recorded unusually high peak ground accelerations (2.21g vertical and 1.41g horizontal) during the February 2011 Christchurch earthquake. Ground motions recorded at HVSC in numerous other events also exhibited consistently higher intensities compared with nearby strong motion stations. We investigated the underlying causes of such high intensity ground motions at HVSC by means of 2D dynamic finite element analyses, using recorded ground motions during the 2010-2011 Canterbury earthquake sequence. The model takes advantage of a LiDAR-based digital elevation model (DEM) to account for the surface topography, while the geometry and dynamic properties of the surficial soils are characterized by seismic cone penetration tests (sCPT) and Multi-Channel Analyses of Surface Waves (MASW). Comparisons of simulated and recorded ground motions suggests that our model performs well for distant events, while for near-field events, ground motions recorded at the adopted reference station at Lyttelton Port are not reasonable input motions for the simulation. The simulations suggest that Rayleigh waves generated at the inclined interface of the surficial colluvium and underlying volcanic rock strongly affect the ground motions recorded at HVSC, in particular, being the dominant contributor to the recorded vertical motions.