Photograph captioned by BeckerFraserPhotos, "Ireland Property Management, 307 Durham Street".
Recent earthquakes have highlighted the vulnerability of existing structure to seismic loading. Current seismic retrofit strategies generally focus on increasing the strength/stiffness in order to upgrade the seismic performance of a structure or element. A typical drawback of this approach is that the demand on the structural and sub-structural elements can be increased. This is of particular importance when considering the foundation capacity, which may already be insufficient to allow the full capacity of the existing wall to develop (due to early codes being gravity load orientated). In this thesis a counter intuitive but rational seismic retrofit strategy, termed "selective weakening" is introduced and investigated. This is the first stage of an ongoing research project underway at the University of Canterbury which is focusing on developing selective weakening techniques for the seismic retrofit of reinforced concrete structures. In this initial stage the focus is on developing selective weakening for the seismic retrofit of structural walls. This is performed using a series of experimental, analytical and numerical investigations. A procedure for the assessment of existing structural walls is also compiled, based on the suggestions of currently available code provisions. A selective weakening intervention is performed within an overall performance-based retrofit approach with the aim of improving the inelastic behaviour by first reducing the strength/stiffness of specific members within the structural system. This will be performed with the intention of modifying a shear type behaviour towards a flexural type behaviour. As a result the demand on the structural member will be reduced. Once weakening has been implemented the designer can use the wide range of techniques and materials available (e.g. use of FRP, jacketing or shotcrete) to ensure that adequate characteristics are achieved. Whilst performing this it has to be assured that the structure meets specific performance criteria and the principles of capacity design. A target of the retrofit technique is the ability to introduce the characteristics of recently developed high performance seismic resisting systems, consisting of a self centring and dissipative behaviour (commonly referred to as a hybrid system). In this thesis, results of experimental investigations performed on benchmark and selectively weakened walls are discussed. The investigations consisted of quasi-static cyclic uni-directional tests on two benchmark and two retrofitted cantilever walls. The first benchmark wall is detailed as typical of pre-1970's construction practice. An equivalent wall is retrofitted using a selective weakening approach involving a horizontal cut at foundation level to allow for a rocking response. The second benchmark wall represents a more severe scenario where the inelastic behaviour is dominated by shear. A retrofit solution involving vertically segmenting the wall to improve the ductility and retain gravity carrying capacity by inducing a flexural response is implemented. Numerical investigations on a multi-storey wall system are performed using non linear time history analysis on SDOF and MDOF lumped plasticity models, representing an as built and retrofitted prototype structure. Calibration of the hysteretic response to experimental results is carried out (accounting for pinching and strength degradation). The sensitivity of maximum and residual drifts to p-delta and strength degradation is monitored, along with the sensitivity of the peak base shear to higher mode affects. The results of the experimental and analytical investigations confirmed the feasibility and viability of the proposed retrofit technique, towards improving the seismic performance of structural walls.
Scaffolding around the damaged Irish Pub in Lyttelton.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'The Bog Irish Bar, Cashel Mall'.
A photograph of scaffolding on the Irish Pub in Lyttelton.
A video about members of the Irish rugby team touring the Christchurch central city Red Zone. The team is in Christchurch for a test match against the All Blacks at the new Christchurch Stadium. The video includes interviews with scrum coach Greg Feek and coach Declan Kidney. It also includes footage of Irish construction workers meeting the team in Cathedral Square.
Photograph captioned by BeckerFraserPhotos, "Sullivans Irish Pub, 150 Manchester Street".
Photograph captioned by BeckerFraserPhotos, "Looking towards Sullivans Irish Pub, 150 Manchester Street".
He is the first head of state to visit the memorial since its unveiling.
A shaken All Blacks supporter stands under the title 'Shamrocked!!. Around him is a news report of a recent 3 point magnitude earthquake in Christchurch, and surrounding him are the familiar earthquake terms 'Very Shakey', 'faultines' 'shocks' and 'cracks appearing'. On 16 June 2012, the Irish rugby team ('The Shamrocks' ) almost beat the All Blacks in Christchurch. The All Black team performance was poor, especially after their first win a week before. Co-incidentally, another earthquake had hit Christchurch. New Zealand fans were shaken by both events. Quantity: 1 digital cartoon(s).
One landscape colour digital photograph taken on 19 November 2011 showing earthquake repairs being undertaken to the Irish Pub on the south side of London Street. The Lyttelton streetscape has changed dramatically from its pre-earthquake appearance and will continue to change as new buildings are erected on empty sections. In this photograph Lo...
One of Christchurch’s most well known and successful chemist and druggist shops was on Colombo street and owned by George Bonnington.
On an empty beach near Sumner, a young boy and his Irish Spaniel stand at the shoreline as the photographer captures the moment. Further down the beach, beneath the original formation of Clifton Sp…
Photograph captioned by Fairfax, "Saudi Students staying at Donegal Irish House after fleeing the Canterbury earthquake zone. From left Abdullah Al-Harbi, Muhanad Al-Khateb, Youssef Adshwaish and Mofarh Al-Hrooby".
A PDF copy of a poster designed for Christchurch's Gaelic speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River by the historic mill wheel. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
Shows a man exhausted after a weekend of watching the All Blacks playing Ireland on TV. His wife understands the frustration of Christchurch residents waiting too long for repairs to properties. Context: Refers to frustrating delays in getting earthquake-related repairs done in Christchurch, this in large part due to slowness of insurance claims and permissions. Quantity: 1 digital cartoon(s).