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Images for Christchurch Music; more images...

Images, UC QuakeStudies

A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".

Images, eqnz.chch.2010

Masonry gable of the Christchurch School of Music broke off during the magnitude 7.1 earthquake in Christchurch on Saturday 4-9-2010.

Videos, NZ On Screen

TVNZ's long running religious and choral music programme visits Christchurch's Anglican cathedral. Before its devastation by earthquakes, it was the centre of the city and one of the most celebrated of its great Gothic buildings. It could also claim to be "the most visited, the most accessible and best known church in New Zealand". Host Graeme Thomson explores the cathedral, its chapels and bell tower and outlines its history. He interviews Dean John Bluck and introduces hymns and songs of praise sung by the cathedral's choir and an ecumenical congregation.

Images, eqnz.chch.2010

The Christchurch School of Music on Barbadoes Street lost its brick gables in the magnitude 7.1 earthquake that struck Christchurch on Saturday 4 September 2010.

Audio, Radio New Zealand

Protecting live music venues is taking on a new urgency in Christchurch, with the popular 12 Bar announcing it will close at the end of the month. With people flocking back to live in the central city after the earthquakes, there have been more complaints about noise from entertainment venues. But the local music scene says positive changes are in the works, so residents and live venues can live in harmony. Niva Chittock reports.

Audio, Radio New Zealand

Head of Music at Linwood College in Christchurch on status of school orchestra's European trip that was planned before earthquake.

Videos, NZ On Screen

RWP reporter/director Brent Hansen (later head of MTV Europe) visits the South Island: checking venues, talking to local luminaries, catching live bands and generally taking the pulse of the local music scene. Flying Nun is on the rise (and just starting to attract international attention) although none of the label's major acts are playing near the RWP cameras. Christchurch is in flux waiting on the next big pop act to emerge, while Dunedin is a hive of activity with a new generation of Flying Nun acts starting to come through. Then there's Crystal Zoom...

Research papers, University of Canterbury Library

This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.

Audio, Radio New Zealand

Music we know is a great healer, and members of the Christchurch Symphony Orchestra have just been to quake-hit Kaikoura to play for children and for people who're struggling. Kaikoura Earthquake Recovery Team invited five CSO musicians to perform for local schools, for residents in the Kaikoura Health Facility, and the wider community during the week. CSO first violin Cathy Irons talks to Lynn Freeman about the experience.

Research papers, University of Canterbury Library

As part of the Canterbury Earthquake Digital Archive, this thesis documents the effects of the earthquakes on the musical life of Christchurch. It concentrates, primarily, on the classical music scene. The thesis examines the difficulties experienced by musical organisations, individual musicians, and teachers as they sought to bring music to the broken city, together with the measures that were necessary in order to overcome those difficulties. It examines how those organisations have worked to re-establish themselves in their particular musical fields. It charts the progress made, to date, along the path to recovery and offers suggestions regarding precautionary measures which, if instituted, could reduce the after-effects of a future disaster. Recognising that not all of the difficulties encountered were directly related to the earthquakes, this thesis also examines the effects on music and musicians, of decision making associated with the recovery effort. The thesis also demonstrates how a destructive event can provide the inspiration for creativity. It recognises the importance of music in maintaining a sense of normality for people, whether they realise it or not, as well as its influences in providing emotional relief in times of stress. Hopefully, it may become a useful guide to which other cities that may be faced with some natural disaster, could refer.