Close up of a handwritten message to Christchurch Girls High School at the Cranmer Centre (previously Christchurch Girls High School).
A sign for Avonside Girls' High School on the front fence of Burnside High School. The photograph has been captioned by BeckerFraserPhotos, "Many schools in Christchurch were closed and so those that were available shared. Here Burnside High School shared facilities with Avonside Girls High School. Greers Road".
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Old Christchurch Girls High School'.
Remains of the Cranmer Centre, formerly Christchurch Girls High School (1878 - 1986).
Photograph captioned by BeckerFraserPhotos, "40-46 Armagh Street, the now totally cleared site of the Cranmer Centre, formally the Christchurch Girls High School".
The partially deconstructed Cranmer Centre (formally Christchurch Girls High School) on the corner of Armagh and Montreal Streets.
The demolition of the Cranmer Centre, formerly the Christchurch Girls High School, on the corner of Montreal and Armagh Streets.
The demolition of the Cranmer Centre, formerly the Christchurch Girls High School, on the corner of Montreal and Armagh Streets.
Photograph captioned by BeckerFraserPhotos, "The now empty site of Cranmer Centre with salvaged material (former Christchurch Girls High School)".
Photograph captioned by BeckerFraserPhotos, "The Cranmer Centre on the corner of Armagh and Montreal Streets, formerly the Christchurch Girls High School".
Photograph captioned by BeckerFraserPhotos, "The Cranmer Centre on the corner of Armagh and Montreal Streets, formerly the Christchurch Girls High School".
A wooden brace holding up a window of the Cramner Centre, formerly Christchurch Girls' High School. The masonry above the window has fallen away during the earthquake.
Wooden bracing holding up the remaining masonry of this wall of the Cramner Centre (formerly Christchurch Girls' High School). Above the bracing, the masonry has fallen away.
A string quartet from Christchurch Girls High School plays on the riverbank before the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake.
A string quartet from Christchurch Girls High School play on the riverbank before the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake.
A string quartet from Christchurch Girls High School plays on the riverbank before the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the foreground people wait for the event to start.
A string quartet from Christchurch Girls High School plays on the riverbank before the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the foreground people wait for the event to start.
People cast flowers into the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the background is the string quartet from Christchurch Girls High School which played before the event.
People cast flowers into the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the background is the string quartet from Christchurch Girls High School which played before the event.
People cast flowers into the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the background is the string quartet from Christchurch Girls High School which played before the event.
A woman casts flowers into the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the background is the string quartet from Christchurch Girls High School which played before the event.
What does it mean to “be in a mood” at school? This question guides this thesis, which analyses the relationship between young people’s experiences of moods and the discourses and pedagogies of moods they encounter at school. The emotions and moods of young people in Christchurch, New Zealand, have, in recent years, come under considerable scrutiny. A national decline in rates of youth mental health and concern over the lasting psychological effects of the 2010-2011 Christchurch Earthquakes have justified increased attention to and funding for youth mental health promotion and school-based mental health education programs. Drawing on a year-long school ethnography at a public girl’s high school in Christchurch with 22 Year 10 students (age 14-15), this thesis examines how young people interact with state and psychiatric discourses of youth and mental health. It explores how young people integrate and transform these discourses in their experiences and knowledges of moods as they relate to mental health, education, friendships, and the (in)stability of the self in time. Additionally, this thesis proposes an anthropological reconsideration of moods. Developing insights from phenomenological and medical anthropology and bringing them into conversation with ethnographic analysis, the approach to moods in this thesis sees two necessarily interconnected ways in which moods become significant for understanding subjectivity and contemporary society. On the one hand, moods are an integral dimension of phenomenological experience in which it is possible to dwell in affective ambiguities, producing open-ended horizons of experience. On the other hand, young people’s experience of moods is refracted through moods’ medicalised formulation as experience that can be bounded, taxonomized, transformed into kinds of knowledge about the self, and thus acted on in distinct and morally situated ways. Attending to the experience of “being in a mood” at school reveals how medical and psychiatric knowledges are woven into moral experience in the everyday. This moral experience of moods has critical implications for how young people in New Zealand today situate the self in relationships, in the world, and in time, and therefore is particularly revealing for developing anthropological understandings of teenage subjectivity