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Images, UC QuakeStudies

A photograph of a sign in the Canterbury Quakes exhibition at the Canterbury Museum. The sign displays the number of aftershocks in Canterbury since the 4 September 2010 earthquake as of 9.00 am on the morning the photograph was taken. The tally was 9,787.

Images, UC QuakeStudies

A photograph of the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.

Research papers, University of Canterbury Library

This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.

Images, UC QuakeStudies

A photograph of an exhibition sign next to the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.