A photograph of Helen Campbell and Jonathan Hall preparing to move Crack'd for Christchurch's ottoman artwork. The ottoman has been wrapped up in bubble wrap and secured to a pallet.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Crack'd for Christchurch's armchair artwork being loaded on to the back of a truck. The armchair has been wrapped in a tarpaulin and sits on a pallet. Straps wound under the armchair are being lifted by a mechanical arm.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last!"
A photograph of audience members watching Freedom Preston-Clarke speak about some ideas for the upcoming All Right? campaign. Donovan Ryan (left) and Ciaran Fox (right) are also onstage with campaign launch posters. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
Pallet Golf', a Gap Golf course on a the site of a demolished building. It has been built by Gap Filler to look like a journey through Christchurch. A plastic road cone as well as mini road cones, road signs, tunnels and rivers can be seen. The course has been built using green felt, wooden pallets, tyres, planks of wood and bricks.
The wall of the Gap Filler HQ hut beside the Pallet Pavilion is decorated with recycled materials.
A photograph captioned by BeckerFraserPhotos, "Materials salvaged from Our City, O-Tautahi on pallets out front".
Damaged buildings surrounded by security fencing on Lichfield Street. Wooden pallets have been lined up along the road.
A PDF copy of a media release by All Right? titled "Holi Brings Back Colour to Christchurch". The media release promotes the first annual Christchurch Holi Carnival of Colours, held on 23 March 2014 at the Pallet Pavilion. The media release includes quotes from organiser Sandeep Khanna and All Right? Campaign Manager Sue Turner. The media release is dated 27 February 2014.
Barbara Garrie and Laura Dunham serve tea at the pop-up tearoom at the opening of the Pallet Pavilion.
Barbara Garrie, Laura Dunham and Jan Saville running the pop-up tearoom at the opening of the Pallet Pavilion.
The Gap Filler HQ hut next to the Pallet Pavilion, on the former site of the Crowne Plaza hotel.
A photograph of furniture being stored on top of a pallet at the at the Canterbury Cultural Recovery Centre.
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A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
Barbara Garrie cuts cake while Jan Saville makes tea in the pop-up tearoom at the opening of the Pallet Pavilion.
A photograph of students enjoying Rock on Eastside, an outdoor lounge and art space on the corner of Aldwins Road and Linwood Avenue. The students have decorated the site by painting rocks they found throughout Christchurch and laying them out in patterns. There is also furniture made out of pallets in the background and 'Rock on Eastside' has been painted on the wall of a building.
A pallet of chemical toilets. The toilets were being delivered to residents in Christchurch who had been without water for ten days.
A photograph of a window of the Cranmer Centre. The masonry around the windows has been removed and placed on pallets below.
Signs at the entrance to the Gap Filler Pallet Pavilion read "No heels. No smoking. No climbing. Uneven surface please take care".
Volunteers painting a fence on the site of Gap Filler's Community Chess Board. The wall has been made out of wooden pallets.
An entry from Jennifer Middendorf's blog for 23 December 2013 entitled, "Holidays!".
A photograph of the 'Arcades Project' on the corner of Kilmore and Durham Streets. The public sculpture was a collaboration between FESTA, Andrew Just, Ryan Reynolds and Life in Vacant Spaces.
A photograph of the eastern corner of the Cranmer Centre. The masonry around the windows has been removed and placed on pallets below.
Scattered masonry that has fallen from St John the Baptist Church in Latimer Square. Some of the stones have been stacked on pallets.
A video of a tour of Lion Nathan's Canterbury Brewery, where employees are cleaning up after the 4 September 2010 earthquake. The video shows footage of Lion Nathan employees clearing away pallets of broken bottles and mopping up spilt beer. It also includes an interview with Neil Hinton, Lion Nathan Corporate Affairs Director, about the beer which has been sent down from Auckland, and the help they are giving to the City Mission.
A photograph of an archway, removed from above a window of the Cranmer Centre and placed on a pallet in front of the building.
The almost finished mural on the side of a building in Sydenham. Pallets with painting equipment and a stool can be seen in front.
Industrial steel storage pallet racking systems are used extensively worldwide to store goods. Forty percent of all goods are stored on storage racks at some time during their manufactureto- consumption life. In 2017, goods worth USD 16.5 billion were carried on cold-formed steel racking systems in seismically active regions worldwide. Historically, these racks are particularly vulnerable to collapse in severe earthquakes. In the 2010/2011 Christchurch earthquakes, around NZD 100 million of pallet racking stored goods were lost, with much greater associated economic losses due to disruptions to the national supply chain. A novel component, the friction slipper baseplate, has been designed and developed to very significantly improve the seismic performance of a selective pallet racking system in both the cross-aisle and the down-aisle directions. This thesis documents the whole progress of the development of the friction slipper baseplate from the design concept development to experimental verification and incorporation into the seismic design procedure for selective pallet racking systems. The test results on the component joint tests, full-scale pull-over and snap-back tests and fullscale shaking table tests of a steel storage racking system are presented. The extensive experimental observations show that the friction slipper baseplate exhibits the best seismic performance in both the cross-aisle and the down-aisle directions compared with all the other base-connections tested. It protects the rack frame and concrete floor from damage, reduces the risk of overturning in the cross-aisle direction, and minimises the damage at beam-end connectors in the down-aisle direction, without sustaining damage to the connection itself. Moreover, this high level of seismic performance can be delivered by a simple and costeffective baseplate with almost no additional cost. The significantly reduced internal force and frame acceleration response enable the more cost-effective and safer design of the pallet racking system with minimal extra cost for the baseplate. The friction slipper baseplate also provides enhanced protection to the column base from operational impact damage compared with other seismic resisting and standard baseplates.
Photograph captioned by BeckerFraserPhotos, "The Arts Centre, Hereford Street. Careful palleting of the pieces of the Arts Centre which fell to the ground".