A tribute to all those who are working to help Christchurch rebuild after the 6.3 magnatude quake hit 22 February 2011- Thank You!
When the new Canterbury Earthquake Memorial was revealed last month, something unusual happened for a work of public art. It was universally appreciated! Christchurch filmmaker Rick Harvie has documented the two year long project from seeking submissions though to the official ceremony. Rick tells Lynn Freeman he's about to put his now finished documentary, including footage of the ceremony and feedback from a range of people, online.
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Messages on the "I hope Christchurch will..." blackboard on the corner of Tuam and Colombo Streets. Members of the public were invited to fill in the gaps with what they would like to see in the rebuilt city. Messages can be seen, such as, "Smile!", "Be filled with art and culture!", "Cater and be fun for all ages", "Always be positive" and "Wake up".
A photograph of stencilled words on a footpath on Peterborough Street. The words read, "On Peterborough Street the houses are wonky. The ground has been pulled out from underneath them. The trick worked and the houses stayed up, but they are wonky. If you lived in them you might become wonky too".
An entry from Jennifer Middendorf's blog for 24 July 2011 entitled, "Being brave, and books in a fridge".
A story submitted by Rosie Belton to the QuakeStories website.
Photograph captioned by BeckerFraserPhotos, "The city blocks encompassed by Manchester Street, Gloucester Street, Latimer Square and Hereford Street are amongst those with the most demolished buildings in the city centre at the moment".
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of participants signing in at the registration table for Milk Fight - a dairy-fuelled urban food fight by local artist Gaby Montego. The event was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014. It was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of local artist Gaby Montejo in a cow onesie before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014. It was held on the former Convention Centre site at 100 Peterborough Street.
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "The memorial table at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.
A PDF copy of pages 72-73 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Now Panic and Freak Out'. Photo: Gaby Montejo
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph captioned by BeckerFraserPhotos, "The memorial table at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A large crack in the concrete floor slab of a building in Barbadoes Street. The photographer comments, "This is a picture of the cracked concrete floor in a shop in the Christchurch CBD. I have a similar crack in my home, but I have not lifted the carpet to look".
An elaborate graffiti tag sprayed on a wall beside a demolition site on Tuam Street. A collection of abandoned objects lie on the site. The photographer comments, "Graffiti spotted in the Christchurch earthquake red zone. What I liked was the odd mixture of bits and bobs around it".
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. A mural has been painted on a brick wall. Behind this is the old Post Office building (now C1 Espresso). There is a sculpture by Ronnie Van Hout on the roof.