A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of the illuminated Silhouette Carnival installation at on Gloucester Street. Part of In Your Face can also be seen on the left. The installations are part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Christchurch Earthquake Teams in Motion".
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City III, Tunnel control' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Double Bill' and was painted in 2011. The original painting is acrylic on canvas and measures 1010 by 410mm.
A photograph of a pad of brochures for The Stadium Broadcast, a 72-hour non-stop performance by Australian artist collective Field Theory. The launch event for The Stadium Broadcast was part of FESTA 2014.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A PDF copy of pages 354-355 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'End of the Line'. Photos: Gaby Montejo
A pdf transcript of Pat Penrose's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Maggie Blackwood.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A PDF copy of pages 108-109 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Silver Bulletin'. Photo: Matthew Galloway
A PDF copy of pages 260-261 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Light Inspiration for Lyttelton'. Photos: Alan Povall
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
A PDF copy of pages 356-357 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Kissing Booth'. Photos: Audrey Baldwin
A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".
A PDF copy of pages 76-77 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bag-O-Love'. Photo: Reuben Woods
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A damaged concrete tilt-slab building. The slabs have separated and tilted, and are supported by steel bracing. The photographer comments, "This house in Christchurch was made by bolting 4 slabs of concrete together. A fantastic idea in a country prone to earthquakes".
Liquefaction silt. The photographer comments, "After the earthquake in Christchurch New Zealand, liquefaction covered the streets, but after it had risen from below ground whilst the ground was shaking it the liquid in the liquefaction wanted to drain away".