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Research papers, University of Canterbury Library

This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.

Images, UC QuakeStudies

A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.

Images, UC QuakeStudies

A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.

Images, UC QuakeStudies

A photograph of Jeni Reveley at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.

Images, UC QuakeStudies

A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.

Images, UC QuakeStudies

A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.

Images, UC QuakeStudies

A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City III, Tunnel control' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.

Images, UC QuakeStudies

A digital copy of a painting by Hamish Allan. The painting is titled, 'Double Bill' and was painted in 2011. The original painting is acrylic on canvas and measures 1010 by 410mm.

Images, UC QuakeStudies

A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson