A document that defines the requirements and objectives of design activities for SCIRT's reconstruction of the city's horizontal infrastructure and describes how these activities should be implemented.
A document illustrating elements of door to door contact, which is an initiative to help communities affected by nearby disruptive SCIRT works to understand what is happening.
A time-lapse video documenting the construction of Gap Filler's Pallet Pavilion. The video is made up of photographs taken from the top of the Christchurch Casino.
A document containing examples of items and activities SCIRT implemented as part of the programme to support businesses affected and disrupted by SCIRT central city rebuild work.
This document contains a list of the SCIRT GIS services, along with a brief description of what the groupings of layers were and why they were needed.
A zip file of photographs from a time-lapse series documenting the construction of Gap Filler's Pallet Pavilion. The photographs were taken from the top of the Christchurch Casino.
A document outlining how the rebuild of wastewater, water supply, storm water and roading infrastructure was to be managed and coordinated with other programmes of work in the central city.
An example of a briefing provided to support staff hosting an event so they fully understood their roles and the focus of the event. The document was created in 2012.
A PDF copy of a document outlining thoughts from the Anglican Advocacy team (previously Anglican Life Social Justice Unit) on the pilot of their Save Your Self interest-free loan scheme.
A PDF document containing ideas from the public for All Right?'s Tiny Adventures Share Activities. People were invited to email All Right? with ideas for fun activities for young children.
A PDF copy of an evaluation document highlighting quantitative findings about how the All Right? social marketing campaign has helped Cantabrians. The report was created by All Right? in April 2017.
A document that outlines how timely and accurate information relating to estimating, actual project costs, future commitments, and total forecast cost, will be managed and reported for each project phase in the programme.
A document outlining the methodology for rebuilding horizontal infrastructure in the central city, covering wastewater (local reticulation and trunk), wastewater pump stations, storm water (local reticulation and trunk), potable water, roads, and bridges.
A document containing examples of newsletters printed and distributed to the inner city businesses and residents, to prepare them for the upcoming SCIRT rebuild work and update them on the positive progress being made.
A document containing examples of items provided in a folder for businesses. These are taken to the initial face-to-face meeting with business owners to discuss the impact and disruption of upcoming SCIRT rebuild works.
A photograph of the first page of a copy of a Level 1 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the second page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the third page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the first page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A PDF copy of red-zoned Kaiapoi resident Barbara Townsend and Jackson's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Carroll family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Willy and Andrew Martin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Evans family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi resident Arline Grimshaw's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Rolleston-Belworthy-Mataki family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Karen, Clive, Kirsty and Daniel Lingley Richardson's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gillian Rayner and Harry Stanton's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Dee, Marc, Nicole and Thomas Brocherie's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Jenny Barker and Pat Barker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.