A photograph of emergency operations co-ordination taking place at Christchurch Art Gallery.
A photograph of cracks in the road on Bridge Street.
A photograph of fallen bricks in a central city carpark.
A photograph of damage to the road on Bridge Street.
A photograph of piles of gravel and building rubble behind a cleared site on Barbadoes Street.
A photograph of severe damage to a petrol station on Pages Road.
An authority granted by the New Zealand Historic Places Trust, providing the authority to carry out earthquake repair work that may affect archaeological sites within the Christchurch City area.
A photograph of the earthquake-damaged Flexiweld building on the corner of St Asaph Street and Barbadoes Street.
A photograph of the earthquake-damaged Flexiweld building on the corner of St Asaph Street and Barbadoes Street.
A photograph of a plastic sheet covering a petrol pump at a petrol station on Pages Road. The cover reads, "Sorry not well today".
A photograph of remediation work taking place on the damaged Cranmer Courts building.
Seen from Cambridge Terrace, the 'White Lights of Hope' spotlights shine into the sky behind a crane and damaged buildings on Oxford Terrace.
A photograph of cracks in the road on Avonside Drive.
A photograph of severe earthquake damage to the footpath and fence at 938 Avonside Drive.
A photograph of severe earthquake damage at 938 Avonside Drive.
A photograph of the earthquake-damaged Flexiweld building on the corner of St Asaph Street and Barbadoes Street.
A photograph of earthquake damage to the Community of the Sacred Name Convent.
A photograph of leaning power poles and liquefaction on Avonside Drive.
Object Overview of 'Christchurch liquefaction study – Stage II (Beca, 2002).'
Residents of some Christchurch suburbs could be in for bigger than expected rates rises after the first QV valuations since the earthquakes. The average Christchurch home now has a rating value of 455 thousand dollars, which translates into an annual rates bill of just over two thousand dollars.
Fifteen hundred people in Christchurch are without power tonight and more than a hundred homes evacuated after a 'once in a hundred year flood'.
The memorial to Robert Scott in Christchurch
One cream cotton 'Heart for Christchurch' decorated with a bird in blue stitching; a blue loop with a bead is at the top centre so the item can be displayed. Inscription on reverse reads 'With / love / from / Denice Ostman / Finland / 2011' Made for the people of Christchurch following the 22 February earthquake. Denice Ostman from Finland sent...
One red swirled fabric 'Heart for Christchurch' decorated with a tiki stitched in green on the front; green and red tartan fabric on reverse; red ribbon loop so the item can be displayed; an attached piece of green paper reads 'From Linda who lives in Scotland but who has a daughter, son-in-law & 3 small grandsons who live in Timaru'. Made for t...
One cream and brown fabric 'Heart for Christchurch' decorated with lace and seven embellishments with a velvet cord loop at the top centre so the item can be displayed. Maker's name - Evie Harris / Napier - on reverse. Made for the people of Christchurch following the 22 February earthquake. This ‘Heart for Christchurch’ was made by Evie Harris...
Colour photograph of the ChristChurch Cathedral bells at Taylor's Bell Foundry, Loughborough, United Kingdom, during an open afternoon on Sunday 30 September 2012.
Colour photograph of the ChristChurch Cathedral bells at Taylor's Bell Foundry, Loughborough, United Kingdom, during an open afternoon on Sunday 30 September 2012.
Colour photograph of the ChristChurch Cathedral bells in the Tuning Shop at Taylor's Bell Foundry, Loughborough, United Kingdom, during an open afternoon on Sunday 30 September 2012.
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.
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