Transcript of Fiona Clarkson's earthquake story, captured by the UC QuakeBox project.
Transcript of Trish Laird's earthquake story, captured by the UC QuakeBox project.
Transcript of Amanda Coles's earthquake story, captured by the UC QuakeBox project.
Transcript of Lorraine's earthquake story, captured by the UC QuakeBox project.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A digitally manipulated image of the Gap Filler Monopoly board square on Manchester Street. The photographer comments, "On the site of a demolished earthquake damaged building in Christchurch, New Zealand is a Monopoly game square for giants. The Gap Filler Project makes the bare land where once a building once stood into something both interesting and unique and this time they created a massive Monopoly board square. In the game of Monopoly you move your player with a dog, shoe or maybe the hat, but as the most common thing in the City are diggers they have the placed one on the square. There are also two houses on Manchester Street, which is priced at $240".
A video of a tour of the Christchurch central city Red Zone. The video includes footage of the site of the Brannigans Building on the corner of Oxford Terrace and Gloucester Street, the inside of the central library, Gloucester Street, Manchester Street, High Street, Poplar Lane, and Hereford Street.
A pdf transcript of Ian's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Josie Hepburn.
Christchurch Ōtautahi, New Zealand, is a city of myriad waterways and springs. Māori, the indigenous people of New Zealand, have water quality at the core of their cultural values. The city’s rivers include the Avon/Ōtākaro, central to the city centre’s aesthetic appeal since early settlement, and the Heathcote/Ōpāwaho. Both have been degraded with increasing urbanisation. The destructive earthquake sequence that occurred during 2010/11 presented an opportunity to rebuild significant areas of the city. Public consultation identified enthusiasm to rebuild a sustainable city. A sustainable water sensitive city is one where development is constructed with the water environment in mind. Water sensitive urban design applies at all scales and is a holistic concept. In Christchurch larger-scale multi-value stormwater management solutions were incorporated into rapidly developed greenfield sites on the city’s outskirts and in satellite towns, as they had been pre-earthquake. Individual properties on greenfield sites and within the city, however, continued to be constructed without water sensitive features such as rainwater tanks or living roofs. This research uses semi-structured interviews, policy analysis, and findings from local and international studies to investigate the benefits of building-scale WSUD and the barriers that have resulted in their absence. Although several inter-related barriers became apparent, cost, commonly cited as a barrier to sustainable development in general, was strongly represented. However, it is argued that the issue is one of mindset rather than cost. Solutions are proposed, based on international and national experience, that will demonstrate the benefits of adopting water sensitive urban design principles including at the building scale, and thereby build public and political support. The research is timely - there is still much development to occur, and increasing pressures from urban densification, population growth and climate change to mitigate.
A digger demolishing the Ozone Dressing Sheds building. The photographer comments, "This is the end of the Ozone Dressing Sheds built in 1914. The two storey Ozone Cafe, which was a hotel, will be given it's coup de grace on Friday. They were gutted in a spectacular fire in 1922, but were unable to be saved after the Christchurch earthquake on 22 February 2011".
A black and white historic photograph of buildings in Cathedral Square, Christchurch, circa 1920s. From left to right: The Weekly Press, H M Customs, Christchurch Tramway Board/Lyttelton Harbour Board.
When I lived in Christchurch back in 2004-2005, this was a building I went past on the bus every day to get to and from work in the city. After the big quake on 04/09/10 (7.1 magnitude), its been seriously damaged. As have many more of the shops in this area. Thankfully no lives were lost in the quake, and I'm glad I wasnt there to feel it eith...
Surface rupture of the previously unrecognised Greendale Fault extended west-east for ~30 km across alluvial plains west of Christchurch, New Zealand, during the Mw 7.1 Darfield (Canterbury) earthquake of September 2010. Surface rupture displacement was predominantly dextral strike-slip, averaging ~2.5 m, with maxima of ~5 m. Vertical displacement was generally less than 0.75 m. The surface rupture deformation zone ranged in width from ~30 to 300 m, and comprised discrete shears, localised bulges and, primarily, horizontal dextral flexure. About a dozen buildings, mainly single-storey houses and farm sheds, were affected by surface rupture, but none collapsed, largely because most of the buildings were relatively flexible and resilient timber-framed structures and also because deformation was distributed over a relatively wide zone. There were, however, notable differences in the respective performances of the buildings. Houses with only lightly-reinforced concrete slab foundations suffered moderate to severe structural and non-structural damage. Three other buildings performed more favourably: one had a robust concrete slab foundation, another had a shallow-seated pile foundation that isolated ground deformation from the superstructure, and the third had a structural system that enabled the house to tilt and rotate as a rigid body. Roads, power lines, underground pipes, and fences were also deformed by surface fault rupture and suffered damage commensurate with the type of feature, its orientation to the fault, and the amount, sense and width of surface rupture deformation.
This paper outlines the deconstruction, redesign and reconstruction of a 2 storey timber building at the University of Canterbury, in Christchurch, New Zealand. The building consists of post tensioned timber frames and walls for lateral and gravity resistance, and timber concrete composite flooring. Originally a test specimen, the structure was subjected to extreme lateral displacements in the University structural testing laboratory. This large scale test of the structural form showed that post tensioned timber can withstand high levels of drift with little to no structural damage in addition to displaying full recentering characteristics with no residual displacements, a significant contributor to post earthquake cost. The building subsequently has been dismantled and reconstructed as offices for the Structural Timber Innovation Company (STIC). In doing this over 90% of the materials have been recycled which further enhances the sustainability of this construction system. The paper outlines the necessary steps to convert the structure from a test specimen into a functioning office building with minimal wastage and sufficient seismic resistance. The feasibility of recycling the structural system is examined using the key indicators of cost and time.
A photograph of street art on the wall of a building between Brighton Mall and Hawke Street. The artwork depicts cartoon characters in bubbles.
The husband of a woman who died in the CTV building during the February 2011 earthquake is encouraging the public to have their say on a memorial to honour the 185 people who lost their lives four years ago.
It is unlikely engineers involved in the most serious building collapse of the Christchurch earthquake will face any external action, with the profession's administrators telling the Government there's nothing more they can do.
The first police officer at the scene of the collapsed and burning CTV building has recounted harrowing details of his efforts in the hours after the February 2011 earthquake in Christchurch.
A geotechnical expert from the United States has told the Royal Commission into the Canterbury Earthquakes, developers should be required to submit soil reports before building on land prone to liquefaction.
The building industry is celebrating the best in home construction with the House of the Year awards tomorrow night. Registered Master Builders chief executive David Kelly says the finalists include designs that have taken lessons from the Christchurch earthquakes.
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo and other symbols in bubbles.
A large crack where the foundation of a building has moved away from the adjoining carpark. The photographer comments, "The gap between Robbies restaurant and bar in New Brighton and the car park after the Christchurch Earthquake".
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo and other symbols in bubbles.
Members of the USAID Disaster Assistance Response Team and New Zealand Urban Search and Rescue Team in front of a collapsed house in the Christchurch central city. In the background, the Newstalk ZB Building can be seen.
A pdf transcript of participant number QB851's earthquake story, captured by the UC QuakeBox project.
Transcript of Alia Hope-Wilson's earthquake story, captured by the UC QuakeBox project.
Transcript of Emma Parnell's earthquake story, captured by the UC QuakeBox project.
Transcript of Audrey Dragovich's earthquake story, captured by the UC QuakeBox project.
Transcript of Sylvia's earthquake story, captured by the UC QuakeBox project.