A PDF copy of pages 290-291 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Victoria Green'. Photos with permission from Greening the Rubble
A PDF copy of pages 32-33 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'View From the Studio'. Photo: Andrew Hewson
A PDF copy of pages 228-229 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Lions Transitional Facility'. Photos: Irene Boles
A PDF copy of pages 224-225 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Viva Project'. Photos provided by Lin Roberts. With permission from The Viva Project.
A PDF copy of pages 100-101 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '185 Empty Chairs'. Photo: Julia Morison
A photograph of artist Gaby Montejo (right) and volunteers preparing for Milk Fight - a dairy-fuelled urban food fight which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of an ornamental ceramic handbag with a broken handle.Crack'd for Christchurch comments, "This is where it all started, a piece of Katy Gold pottery, broken slightly in the 4 September 2010 earthquake, totally smashed in the 22 February 2011 earthquake."
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Marie Hudson standing in front of the Green Room garden on Colombo Street. In the background, Crack'd for Christchurch's armchair and ottoman artwork have been placed on a platform to await their unveiling.
A photograph of members of the public examining Crack'd for Christchurch's armchair mosaic. The armchair and ottoman artworks have just been unveiled during the launch of the Green Room garden on Colombo Street.
A pdf copy of the second introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A pdf copy of the first introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Hip Man", and is on a building on Madras Street.
A PDF copy of pages 164-165 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CPIT Design/Build'. Photos: Gap Filler
A PDF copy of pages 88-89 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch Transitional Cathedral'. Photos with permission: The Anglican Church
A photograph of Jonathan Hall and Nick Johnston preparing to lift Crack'd for Christchurch's ottoman artwork into the Green Room garden. Straps have been threaded under the ottoman and attached to the hook of a mechanical arm.
A photograph of participants armed with waterguns before the start of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A PDF copy of pages 114-115 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Aibohphobia'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, scratching his head as he looks at the damaged clock drive of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope.
A photograph of signs on the corner of Colombo and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a bus stop timetable.
A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of people walking past two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of signs on the corner of Manchester and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of signs on the corner of Colombo and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.