A collage of posters depicting the Five Ways to Wellbeing, used as a cover photo on the All Right? Facebook page. All Right? posted the image on their Facebook page on 22 May 2013 at 9:18am.
A photograph of All Right? posters and a string of flags in the window of the temporary library on Peterborough Street. All Right? posted the photograph on their Facebook page on 22 May 2013 at 4:52pm.
A photographic montage of coloured flags in different locations around the city. Each flag has a different slogan beginning with, "It's all right." All Right? posted the image on their Facebook page 14 May 2013 at 1:07pm.
A photograph of a sign on the RAD Bikes bike shed on Gloucester Street. The sign reads "RAD Bikes Recycle A Dunger. This is an ex-demolition site. Hazards may exist. Please take care".
Transcript of May's earthquake story, captured by the UC QuakeBox project.
A photograph of a Claire Dangerfield from CDHB holding up a large All Right? poster. The poster reads, "What makes us feel all right? A friendly bus driver. Claire, Papanui." All Right? posted the photograph on their Facebook page on 28 May 2013 at 4:46pm.
A photograph of a Adshel bus stop displaying an All Right? poster. The poster reads, "What makes us feel all right? Keeping busy and making quilts. Winnie (94), Ilam." All Right? posted the photograph on their Facebook page on 6 May 2013 at 1:03pm.
A photograph of Donovan Ryan holding up a large All Right? poster which reads, "When did you last really catch up?" The poster depicts three "All Righties" catching up over cake. All Right? posted the photograph on their Facebook page on 23 May 2013 at 3:31pm.
A photograph of Ciaran Fox (left), Donovan Ryan (right) and another All Right? staff member getting ready to plant coloured flags around the city. Each flag has a slogan beginning with "It's all right." All Right? posted the photograph on their Facebook page on 14 May 2013 at 10:24am.
A photograph of two All Right? posters on a New Zealand Post post box. The posters read, "When did you last really catch up?" and, "When did you last show a little love?" All Right? posted the photograph on their Facebook page on 16 May 2013 at 4:30pm.
A photograph of All Right? team member Donovan Ryan holding a sign which reads, "If only there was a way I could support All Right?", in preparation for the Public Relations in NZ (PRINZ) conference. All Right? posted the photograph on their Facebook page on 31 May 2013 at 9:02am.
Christchurch "New Zealand" architecture building "Demolition of old Millers building" demolition detail rubbleDemolition started on the old Millers building on a walk around Christchurch May 6, 2013 New Zealand. The building was originally designed in 1935 by G. A. Hart for the retail store, factory and warehouse Millers and was completed in 19...
Demolition work on Christchurch's "distinctive" former civic building and the Front Runner store. On a walk around Christchurch May 9, 2013 New Zealand. Demolition work on Christchurch's "distinctive" former civic building is under way. The category-2 heritage building was designed by G A J Hart and opened in 1939 as the Miller's department s...
A photograph of Jack standing next to a Adshel bus stop poster. The poster has an All Right? poster with his quote on it, in answer to the question, "What makes us feel all right?" "Playing my guitar. Jack (11), Woolston." All Right? posted the photograph on their Facebook page on 13 May 2013 at 4:03pm.
A photograph of Shona Hickey standing next to a Adshel bus stop poster. The poster has an All Right? poster with her quote on it, in answer to the question, "What makes us feel all right?" "A jog along the beach. Shona, Mt Pleasant." All Right? posted the photograph on their Facebook page on 17 May 2013 at 9:25am.
A photograph of a woman Carrie standing next to a Adshel bus stop poster. The poster has an All Right? poster with her quote on it, in answer to the question, "What makes us feel all right?" "Going for bike rides in the sun. Carrie, Hornby." All Right? posted the photograph on their Facebook page on 9 May 2013 at 5:03pm.
A photograph of Amanda from Christchurch Central standing next to an All Right? advertisement in a Adshel bus stop with her quote on it. The poster reads, "Biking to work on a frosty, sunny morning", in answer to the question "What makes us feel all right?". All Right? posted the photograph on their Facebook Timeline on 27 May 2013 at 4.11pm.
A PDF copy of a poster created with the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "It's all right to sing! Vivien, Heathcote." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:07pm.
A PDF copy of a poster created with the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "Walking up Harry Ell makes everything all right. Alana, Cashmere." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:07pm.
A PDF copy of a poster like those created on the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "Talking to my friends. Tatiana (11), Woolston." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:06pm.
A PDF copy of a poster like those created on the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "When I see the remarkable creative spirit and energy in my quake-damaged seaside suburb. Andrew, New Brighton." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:06pm.
A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.
The connections between walls of unreinforced masonry (URM) buildings and flexible timber diaphragms are critical building components that must perform adequately before desirable earthquake response of URM buildings may be achieved. Field observations made during the initial reconnaissance and the subsequent damage surveys of clay brick URM buildings following the 2010/2011 Canterbury, New Zealand earthquakes revealed numerous cases where anchor connections joining masonry walls or parapets with roof or floor diaphragms appeared to have failed prematurely. These observations were more frequent for the case of adhesive anchor connections than for the case of through-bolt connections (i.e. anchorages having plates on the exterior façade of the masonry walls). Subsequently, an in-field test program was undertaken in an attempt to evaluate the performance of adhesive anchor connections between unreinforced clay brick URM walls and roof or floor diaphragm. The study consisted of a total of almost 400 anchor tests conducted in eleven existing URM buildings located in Christchurch, Whanganui and Auckland. Specific objectives of the study included the identification of failure modes of adhesive anchors in existing URM walls and the influence of the following variables on anchor load-displacement response: adhesive type, strength of the masonry materials (brick and mortar), anchor embedment depth, anchor rod diameter, overburden level, anchor rod type, quality of installation and the use of metal foil sleeve. In addition, the comparative performance of bent anchors (installed at an angle of minimum 22.5o to the perpendicular projection from the wall surface) and anchors positioned horizontally was investigated. Observations on the performance of wall-to-diaphragm connections in the 2010/2011 Canterbury earthquakes and a snapshot of the performed experimental program and the test results are presented herein. http://hdl.handle.net/2292/21050
Measurement of basement seismic resonance frequencies can elucidate shallow velocity structure, an important factor in earthquake hazard estimation. Ambient noise cross correlation, which is well-suited to studying shallow earth structure, is commonly used to analyze fundamental-mode Rayleigh waves and, increasingly, Love waves. Here we show via multicomponent ambient noise cross correlation that the basement resonance frequency in the Canterbury region of New Zealand can be straightforwardly determined based on the horizontal to vertical amplitude ratio (H/V ratio) of the first higher-mode Rayleigh waves. At periods of 1-3 s, the first higher-mode is evident on the radial-radial cross-correlation functions but almost absent in the vertical-vertical cross-correlation functions, implying longitudinal motion and a high H/V ratio. A one-dimensional regional velocity model incorporating a ~ 1.5 km-thick sedimentary layer fits both the observed H/V ratio and Rayleigh wave group velocity. Similar analysis may enable resonance characteristics of other sedimentary basins to be determined. © 2013. American Geophysical Union. All Rights Reserved.
It is well known that buildings constructed using unreinforced masonry (URM) are susceptible to damage from earthquake induced lateral forces that may result in partial or full building collapse. The 2010/2011 Canterbury earthquakes are the most recent New Zealand example of destructive earthquakes, which have drawn people's attention to the inherent seismic weaknesses of URM buildings and anchored masonry veneer systems in New Zealand. A brief review of the data collected following the 2010 Darfield earthquake and more comprehensive documentation of data that was collected following the 2011 Christchurch earthquake is presented, along with the findings from subsequent data interrogation. Large stocks of earthquake prone vintage URM buildings that remain in New Zealand and in other seismically active parts of the world result in the need for minimally invasive and cost effective seismic retrofit techniques. The principal objective of the doctoral research reported herein was to investigate the applicability of near surface mounted (NSM) carbon fibre reinforced polymer (CFRP) strips as a seismic improvement technique. A comprehensive experimental program consisting of 53 pull tests is presented and is used to assess the accuracy of existing FRP-to-masonry bond models, with a modified model being proposed. The strength characteristics of vintage clay brick URM wall panels from two existing URM buildings was established and used as a benchmark when manufacturing replica clay brick test assemblages. The applicability of using NSM CFRP strips as a retrofitting technique for improving the shear strength and the ductility capacity of multi-leaf URM walls constructed using solid clay brick masonry is investigated by varying CFRP reinforcement ratios. Lastly, an experimental program was undertaken to validate the proposed design methodology for improving the strength capacity of URM walls. The program involved testing full-scale walls in a laboratory setting and testing full-scale walls in-situ in existing vintage URM buildings. Experimental test results illustrated that the NSM CFRP technique is an effective method to seismically strengthen URM buildings.
The urban environment influences the way people live and shape their everyday lives, and microclimate sensitive design can enhance the use of urban streets and public spaces. Innovative approaches to urban microclimate design will become more important as the world’s population becomes ever more urban, and climate change generates more variability and extremes in urban microclimatic conditions. However, established methods of investigation based upon conventions drawn from building services research and framed by physiological concepts of thermal comfort may fail to capture the social dynamics of urban activity and their interrelationship with microclimate. This research investigates the relationship between microclimate and urban culture in Christchurch, New Zealand, based upon the concept of urban comfort. Urban comfort is defined as the socio-cultural (therefore collective) adaptation to microclimate due to satisfaction with the urban environment. It involves consideration of a combination of human thermal comfort requirements and adaptive comfort circumstances, preferences and strategies. A main methodological challenge was to investigate urban comfort in a city undergoing rapid physical change following a series of major earthquakes (2010-2011), and that also has a strongly seasonal climate which accentuates microclimatic variability. The field investigation had to be suitable for rapidly changing settings as buildings were demolished and rebuilt, and be able to capture data relevant to a cycle of seasons. These local circumstances meant that Christchurch was valuable as an example of a city facing rapid and unpredictable change. An interpretive, integrative, and adaptive research strategy that combined qualitative social science methods with biophysical measures was adopted. The results are based upon participant observation, 86 in-depth interviews with Christchurch residents, and microclimate data measurements. The interviews were carried out in a variety of urban settings including established urban settings (places sustaining relatively little damage) and emerging urban settings (those requiring rebuilding) during 2011-2013. Results of this research show that urban comfort depends on adaptive strategies which in turn depend on culture. Adaptive strategies identified through the data analysis show a strong connection between natural and built landscapes, combined with the regional outdoor culture, the Garden City identity and the connections between rural and urban landscapes. The results also highlight that thermal comfort is an important but insufficient indicator of good microclimate design, as social and cultural values are important influences on climate experience and adaptation. Interpretive research is needed to fully understand urban comfort and to provide urban microclimate design solutions to enhance the use of public open spaces in cities undergoing change.