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Images for film; more images...

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, Alexander Turnbull Library

An arm representing the 'Citizens & Volunteers of Christchurch' offers an Oscar Award for 'True Grit'. Context - Admiration at the way the people and the volunteers have managed after the Christchurch earthquake of 22 February 2011. True Grit is a 2010 American Western film written and directed by the Coen brothers. It is the second adaptation of Charles Portis' 1968 novel of the same name, which was previously adapted for film in 1969 starring John Wayne. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Videos, NZ On Screen

This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.

Audio, Radio New Zealand

As the feature length documentary When A City Falls about the Christchurch earthquakes goes on general release in New Zealand, One in Five recalls a programme from earlier in the year when Mike Gourley sneaks inside the Christchurch cordon to meet up with red zone resident, Frank Film's Gerard Smyth.

Videos, UC QuakeStudies

A video of the 2016 Civic Earthquake Memorial Service, held to mark the fifth anniversary of the 22 February 2011 earthquake. The service was held on the Archery Lawn in the Christchurch Botanic Gardens at midday on 22 February 2016. The service was filmed for the Christchurch City Council by Alan Radford of Multicam TV.

Images, eqnz.chch.2010

The obligatory earthquake damage shot. Taken on Ilford Pan F+ with a Yashica-Mat 124G, developed in ID-11 for 8.5 minutes, printed on Ilford Multigrade IV RC, print developed in Ilford Universal PQ.

Research papers, The University of Auckland Library

This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.

Audio, Radio New Zealand

Film and TV reviewer Tamar Munch takes a look at the new US drama The Outsider, based on the Stephen King novel of the same name, and Help Is On The Way, a Kiwi documentary based on the 6.3 Christchurch earthquake and what happened to the 36 guest trapped on the top floors of the Hotel Grand Chancellor.

Images, UC QuakeStudies

A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. Two cameras are filming the welcome. The ceremony was held in Burwood Park.

Images, UC QuakeStudies

A camera man filming Christchurch Mayor Bob Parker and Earthquake Recovery Minister Gerry Brownlee handling a jackhammer on Kingsford Street in Burwood. This was part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). A contractor is standing to the left.

Audio, Radio New Zealand

Highlights from Radio New Zealand National's programmes for the week ending Friday 8 October. This week.....Canterbury marks a month since its earthquake, a co-producer of The Hobbit speaks out about union activity threatening the film's production in New Zealand, can the Commonwealth Games media stomach Delhi, Michael Caine talks about his new autobiography and we get the lowdown on whitebait.

Audio, Radio New Zealand

British researchers have found smokers are twice as likely to succeed in quitting if they receive supportive text messages, the head of the Christchurch Earthquake Rebuilding Agency (CERA) Roger Sutton says there will be no quick end in sight for the ongoing insurance problems in Canterbury and the government's hoping a new deal with Bollywood film-makers could bring millions of dollars into New Zealand.

Images, UC QuakeStudies

USCA President, Kohan McNab, and leader of the Student Volunteer Army, Sam Johnston, being filmed on top of the ENSOC fire engine. Below, students from the University of Canterbury are enjoying a barbeque lunch break. The students have volunteered to dig up liquefaction as part of the Student Volunteer Army.

Audio, Radio New Zealand

A new exhibition is simply called " 37". The show is by the photographer Doc Ross, features 37 Christchurch people captured on film using a 37 second exposure. The aim: to reflect the length of time their city shook during February 2011's devastating earthquake. Katy Gosset hears some of the stories behind the exhibition and hits the streets to record her own take on the 37 second concept.

Audio, Radio New Zealand

Tairawhiti District health board officials are going into schools in the Gisborne region in an effort to reduce cases of rheumatic fever; A designers' group says the Canterbury earthquake has created an opportunity for the local iwi to put its architectural stamp on the new Christchurch; Kaitaia people will be among the first in the country to see a long-awaited film about the much-loved comedian - Billy T James.

Research Papers, Lincoln University

This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.

Videos, UC QuakeStudies

A video made by Julian Vares about FESTA - the Festival of Transitional Architecture. The video includes explanations from FESTA director Jessica Halliday and key collaborators about what FESTA is about, and the important role it plays in the rebuild and recovery of Christchurch. It also includes a compilation of footage from the first three FESTA events of 2012, 2013 and 2014. This footage was shot by Rick Harvie (Belmont Productions), Peter Young (Fisheye Films), Ed Lust and John Chrisstoffels.

Audio, Radio New Zealand

Gaylene Preston has been making feature films and documentaries with a distinctive NZ flavour for over 30 years. Her latest venture is an epic six part drama series called Hope and Wire, which she produced and directed. Set in Christchurch in the aftermath of the devastating earthquakes, Hope and Wire is a fictionalised mix of characters - families that fly apart, others that come together - and what happens to a city that loses it's centre in an instant.

Videos, UC QuakeStudies

A video of interviews with three residents about their Port Hills properties. The video was filmed the day after Earthquake Recovery Minister Gerry Brownlee announced the red-zoning of 285 Port Hills properties. The video includes an interview with Marine Kent (whose house was zoned white to green), Mark Tranter (whose house was zoned white to red), and Tony Ging (whose house is still white-zoned).

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working on their armchair artwork. Reporter Mike Thorpe is in the background.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Jenny Cooper, Marie Hudson, and Sharon Wilson."