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Images, UC QuakeStudies

Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.

Images, UC QuakeStudies

Samo Coffee Lounge signs decorate the front of The Loons Circus Theatre Company building on Canterbury Street in Lyttelton. The facade of the building is propped up by a timber frame and concrete blocks. Samo Coffee Lounge was run inside the Loons building by a group of former Lyttelton Coffee Company staff.

Images, UC QuakeStudies

A pile of liquefaction silt in Parklands has been decorated with a Santa hat, Christmas decorations and a pair of jandals to form a silt 'snowman'. The photographer comments, "Not the most welcome Santa to find on your doorstep on Xmas Eve. This was made out of damp liquefaction in Parklands".

Images, UC QuakeStudies

A photograph of ceramic pots decorated with a mosaic. The mosaic was made out of broken pieces from an earthquake-damaged ceramic handbag ornament.Crack'd for Christchurch comments, "Mosaic pots made by Fifi Colston from Wellington. The handbag is gone but the pots live on."

Images, UC QuakeStudies

A photograph of a conference participant decorating a cut-out heart at the second annual Out of the Heart Pacific Women's Leadership Conference, held at Riccarton Racecourse on 21 May 2016. The conference was sponsored by All Right? and featured posters from the All Right? I am ... Identity project.

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.

Images, UC QuakeStudies

A road cone on the side of Kingsford Street in the Horseshoe Lake district. The cone has been decorated to look like Santa Claus. The photograph has been captioned by BeckerFraserPhotos, "This cone looks jaunty with a particularly flirtatious swing to its skirt, which provides a nice contrast to the sand-bagged road sign".

Images, UC QuakeStudies

A photograph of the earthquake damage to the Christchurch Chinese Methodist Church on Papanui Road. The gable walls have crumbled, bricks spilling onto the ground. The tower has been removed and braced on the ground in front. Cordon fencing has been placed around the building. Parts of the fence have been decorated with hearts and the word 'love'.

Images, Canterbury Museum

One cream cotton 'Heart for Christchurch' decorated with a bird in blue stitching; a blue loop with a bead is at the top centre so the item can be displayed. Inscription on reverse reads 'With / love / from / Denice Ostman / Finland / 2011' Made for the people of Christchurch following the 22 February earthquake. Denice Ostman from Finland sent...

Images, Canterbury Museum

One cream and brown fabric 'Heart for Christchurch' decorated with lace and seven embellishments with a velvet cord loop at the top centre so the item can be displayed. Maker's name - Evie Harris / Napier - on reverse. Made for the people of Christchurch following the 22 February earthquake. This ‘Heart for Christchurch’ was made by Evie Harris...

Images, Canterbury Museum

One felted purple 'Heart for Christchurch' decorated with a pink rose with green leaves and an orange loop at the top centre so the item can be displayed. Faint stitched inscription 'we are / with you' on reverse. Made for the people of Christchurch following the 22 February earthquake. Jill Gunn contributed this ‘Heart for Christchurch’ as a g...

Images, Canterbury Museum

One cream, white and red fabric 'Heart for Christchurch' with white polka dots on red background on reverse; the front is decorated with the word 'Hope' and a bird in red stitching along with two red ribbon bows and a 'made with love' metal embellishment at the centre bottom; a red ribbon loop with a wooden button at the top centre is attached s...

Images, Canterbury Museum

One red swirled fabric 'Heart for Christchurch' decorated with a tiki stitched in green on the front; green and red tartan fabric on reverse; red ribbon loop so the item can be displayed; an attached piece of green paper reads 'From Linda who lives in Scotland but who has a daughter, son-in-law & 3 small grandsons who live in Timaru'. Made for t...

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence in front of the Bridge of Remembrance. The sign features an image from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. All Right? posted the photograph on their Facebook page on 1 November 2013 at 10.54am.

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence in Oxford. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Oxford Town Hall is in the background. All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence in Oxford. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Oxford Town Hall is in the background. All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.

Images, UC QuakeStudies

A girl decorating the chalkboard sign at Gap Filler's "Film in the Gap!" project. The chalkboard outlines the programme for the evening of April 6th, 2011, reading, "Gap Filler: 1st - 10th of April. Free live music and films from 5pm onwards. 5: Radius Kink, 6: Runaround Sue, 7: films: NZ Shorts - 2Cars, 1 Night, Tama Tu, + Forgotten Silver. Bring - cushion, chair, blanket, picnic. Coffee from 4:30pm daily. Ex demolition site. Please be safety aware. Proper footwear must be worn!".

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence on Hereford Street. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Chief Post Office building is in the background. All Right? posted the photograph on their Facebook page on 1 November 2013 at 10.43am.

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence on Cashel Street. The sign features an image from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. In the background is Avonmore Tertiary Institute. All Right? posted the photograph on their Facebook page on 1 November 2013 at 10.46am.

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence in Kaiapoi. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Kaiapoi Bridge and Blackwell's Department Store are in the background. All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.

Images, UC QuakeStudies

A photograph of an All Right? corflute sign decorating a cordon fence in Kaiapoi. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Kaiapoi Gray Raven Scout Group hall is in the background.All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.

Images, UC QuakeStudies

A girl decorating the chalkboard sign at Gap Filler's "Film in the Gap!" project. The chalkboard outlines the programme for the evening of April 6th, 2011, reading, "Gap Filler: 1st - 10th of April. Free live music and films from 5pm onwards. 5: Radius Kink, 6: Runaround Sue, 7: films: NZ Shorts - 2Cars, 1 Night, Tama Tu, + Forgotten Silver. Bring - cushion, chair, blanket, picnic. Coffee from 4:30pm daily. Ex demolition site. Please be safety aware. Proper footwear must be worn!".

Images, UC QuakeStudies

A photograph of preschool children decorating cards with help from Ciaran Fox, Programme Design and Delivery Specialist for the Mental Health Foundation. The photograph was taken at the Tiny Adventures launch at Niu Early Learning Centre in Linwood. Niu Early Learning Centre is managed by the Tongan Canterbury Community Trust. The Tiny Adventure card packs and smartphone app offer ideas, games and quick fun ways for parents to spend time with their children. They are a project of the All Right? mental health campaign.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.