A photograph of Julia Holden's painting 'Cotter Building'.
A photograph of a postcard depicting Julia Holden's painting 'Lichfield Street'.
A photograph of Julia Holden's painting 'High Street'.
A photograph of Julia Holden's painting 'Red Zone Home 2'.
A photograph of a postcard depicting Julia Holden's painting 'Red Zone Home 2'.
The exposed wall of a building on Colombo Street has been painted with a mural advertising Sedley Wells MusicWorks.
A wall exposed by the removal of a damaged building has been decorated by Gap Filler with a knitting-like pattern.
A wall exposed by the removal of a damaged building has been decorated by Gap Filler with a knitting-like pattern. The adjoining wall has been graffitied.
A photograph of Julia Holden's painting 'Containers' displayed on a billboard on Manners Street, Wellington.
A photograph of Julia Holden's painting 'Red Zone Home 1'.
A photograph of Julia Holden's painting 'Containers' displayed on a billboard on Cook Street, Auckland, with the Sky Tower in the background.
A photograph of Julia Holden's painting 'Containers' displayed on a billboard on Cook Street, Auckland, with the Sky Tower in the background.
A photograph of Julia Holden's painting 'Containers' displayed on a billboard on Cook Street, Auckland.
An PDF copy of two posters encouraging the celebration of Pacific culture in Christchurch's Pacific communities. Each poster reads, "It's all right to love your Pacific culture". The first poster also reads, "Communication is the heartbeat of healthy family relationships," and the second reads, "Spirituality is a journey of purpose, faith and love.
The quality of public space is vital to livable cities. Yet livable cities also require empowered communities. This thesis asks: how is the landscape architect’s design expertise expressed as part of the public participation process, what are the key features of design expertise that lead to an effective design-based participation process and how does quality in the participation process relate to the quality of design outcomes? A theoretical framework is developed from which to clarify the relationship between decision-making processes in design and public participation. Insights from design theory are combined with the findings of key informant interviews with New Zealand and Northern Europe design experts, and with landscape architects, community and Council staff working in post-earthquake Ōtautahi/Christchurch, Aotearoa/New Zealand. Results of a case study of Albion Square in Ōhinehou/Lyttelton reveal that the designer’s interactions with the public play a critical role in shaping elegant design outcomes in public space design. Four key insights reveal that participatory design processes in New Zealand need to be reconsidered in order to enable landscape architects to work more closely with communities in mutual learning, rather than the currently limiting technical problem solving process. Institutional, professional and theoretical implications are drawn from the findings.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A close-up photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard on the corner of Cuba Street and Manners Street, Wellington.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland. The Sky Tower can be seen in the background.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.