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Images for around Christchurch; more images...

Images, UC QuakeStudies

A photograph of the north side of the ChristChurch Cathedral in Cathedral Square. The front of the building has been propped up with steel bracing but further earthquakes have caused more damage, leaving a gap between the bracing and the wall. The tower has been partially demolished, but the lower section is still visible. Wire fencing has been placed around the entire building. In the background, a crane is rising high above the square.

Images, UC QuakeStudies

A photograph of the rubble of the Observatory tower in the South Quad of the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake. A digger was used to clear the rubble away from the building. Scaffolding constructed around the tower has also collapsed and is amongst the rubble. In the background is a shipping container. A red sticker has been placed on the door to the Physics Building.

Articles, UC QuakeStudies

A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.

Articles, UC QuakeStudies

A PDF copy of six poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Making pikelets with my children after school and hearing about their day. Sarah, Ilam." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.

Articles, UC QuakeStudies

A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.

Images, UC QuakeStudies

A photograph of messages attached to the wire fencing around the Christchurch Chinese Methodist Church. A paper heart reads, "'The Lord is close to the broken hearted; He rescues those whose spirits are crushed' Psalm 24:18'. A message from the Japanese Red Cross Psychological Support Team reads, "Thank you, also from us, for your warm support. Our thoughts are with you always".

Images, UC QuakeStudies

A photograph of the north side of the ChristChurch Cathedral in Cathedral Square. The front of the building has been propped up with steel bracing but further earthquakes have caused more damage, leaving a gap between the bracing and the wall. The tower has been partially demolished, but the lower section is still visible. Wire fencing has been placed around the entire building. In the background, a crane is rising high above the square.

Images, UC QuakeStudies

Damage to the Lyttelton Hotel on Norwich Quay. The top of the building has crumbled, bringing the roof down with it. Bricks have fallen on the awning and all along the footpath. Wire fencing and road cones have been used to create a cordon around the building.

Images, UC QuakeStudies

Damage to the former Lyttelton Public Library on the corner of Oxford Street and Sumner Road. The facade along the top of the building has crumbled into the street. Tape and road cones have been used to create a cordon around the building.

Images, UC QuakeStudies

Damage to Englefield Lodge on Fitzgerald Avenue. A pile of bricks lies in front of the house, windows are boarded up, and wooden bracing is propping up the walls. A spray-painted message on a wall reads "We will try to save this house." The photographer comments, "A bike ride around the CBD. Englefield, Christchurch's oldest house, in Fitzgerald Ave".

Images, UC QuakeStudies

A photograph of a group of tents set up in Latimer Square next to the Singapore Rescue Team's store and equipment area. Plastic mesh and tape has been placed around the tents as a fence. The tents were used as temporary accommodation for emergency management personnel after the 22 February 2011 earthquake.

Images, UC QuakeStudies

Damage to the Lyttelton Hotel on Norwich Quay. The top of the building has crumbled, bringing the roof down with it. Bricks have fallen on the awning and all along the footpath. Wire fencing and road cones have been used to create a cordon around the building.

Images, UC QuakeStudies

Damage to the Royal Hotel on the corner of Norwich Quay and Canterbury Street in Lyttelton. The columns next to the windows have cracked, indicating that there is major structural damage to the building. Wire fencing and cones have been used to create a cordon around the building.

Images, UC QuakeStudies

A photograph of a residential property in the Christchurch central city with USAR codes spray-painted on the driveway and "No go" spray-painted on the front window and door. A red sticker in the window indicates that the building is unsafe to enter. Cordon tape has been draped around the side, cordoning off a pile of bricks.

Images, UC QuakeStudies

A photograph of the earthquake damage to the Provincial Hotel on the corner of Barbadoes and Cashel Streets. The second storey walls have crumbled, and the bricks have fallen onto the ground below. Scaffolding erected in front of the building is now on a lean. Wire fencing has been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of the earthquake-damaged Cathedral of the Blessed Sacrament on Barbadoes Street. Rubble from the collapsed tower is lying on the ground in front. A car has been crushed under this rubble. Wire fencing, shipping containers, and road cones have been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of the earthquake-damaged Cathedral of the Blessed Sacrament on Barbadoes Street. Rubble from the collapsed tower is lying on the ground in front. A car has been crushed under this rubble. Wire fencing, shipping containers, and road cones have been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of the earthquake-damaged Cathedral of the Blessed Sacrament on Barbadoes Street. Rubble from the collapsed tower is lying on the ground in front. A car has been crushed under this rubble. Wire fencing, shipping containers, and road cones have been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of road works on a residential street in Christchurch. Two workers in high-visibility vests can be seen, one setting up road cones. A digger is sitting on a pile of dug up gravel and earth. Cordon fences have been placed around the site. In the distance, a dump truck can be seen.

Research papers, Victoria University of Wellington

On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably.  This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch.  The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum.  This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch.  This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free.  This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.

Images, UC QuakeStudies

A photograph of paper hearts pegged on the cordon fence around the Chinese Methodist Church on Papanui Road. Quotes on the hearts read, "'Even though I walk through the valley of the shadow of death, I will fear no evil for you are with me.' Psalm 23", "'We can do no great things; only small things with great love.' Mother Teresa, and, "'Peace begins with a smile,' Mother Teresa". In the background, the earthquake damage to the Christchurch Chinese Methodist Church can be seen. The wall of the gable has crumbled, the bricks spilling onto the grass below.

Research papers, University of Canterbury Library

INTRODUCTION This project falls under the Flagship 3: Wellington Coordinated Project. It supports other projects within FP3 to create a holistic understanding of risks posed by collapsed buildings due to future earthquake/s and the secondary consequences of cordoning in the short, mid and long term. Cordoning of the Christchurch CBD for more than two years and its subsequent implications on people and businesses had a significant impact on the recovery of Christchurch. Learning from this and experiences from the Kaikōura earthquake (where cordons were also established around selected buildings, Figure 3) have highlighted the need to understand the effects of cordons and plan for it before an earthquake occurs

Research papers, University of Canterbury Library

A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.