A photograph of a band playing to a crowd of students outside the UCSA building during the 2008 end-of-year Tea Party event.
A scanned copy of a black and white photograph of the He-Ne Continuous Gas Laser used in David Lockwood's MSc research at the University of Canterbury. David says, "The experiments in the Thesis were aimed at examining the effects of sound waves on colloids, which are very small particles that are found in clays for example (for more details see page 181 of http://www.cap.ca/PiC-PaC/static/downloads/1efdc1f3784b85c1a1b33e396b91ee8aef2072c5.pdf ). In fact, I was looking at nanoparticles of matter, which preceded the emergence of nanotechnology as a field of research by more than two decades. I needed a suitable light source to probe the alignment of the nanoparticles in the ultrasonic sound field. At that time the laser had just been invented and I realized that this was the ideal light source for my experiment. I then proceeded to construct the first home-built laser in New Zealand. This laser - a He-Ne continuous-wave gas laser - operated at 632.8 nm (in the red). This laser, over a metre long, is shown in the black-and-white photo. There were lot of problems to be overcome, but eventually, with invaluable help from Dr. Tom Seed (my MSc supervisor) and Dr. Rod Syme, I had it working".
A scanned copy of the cover page of a thesis written by David Lockwood for a PhD in Physics at the University of Canterbury. The thesis is titled "Solid State Studies: Raman Spectroscopy and the Lattice Vibrations of CdCl2 and CdBr2" and was submitted in 1969.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Colin Lau. Colin describes the photograph as follows: "A view from UCSA towards the (right side of our) Science Building. I am not sure what that target white building behind the lamp standard is. I still remember that little wooden bridge we walked across to the UCSA building & that meandering creek or stream that flows beneath it".
A photograph of a band playing to a crowd of students outside the UCSA building during the 2008 end-of-year Tea Party event.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
In London's Westminster Cathedral about 1500 people have just finished a vigil in memory of the victims of the Christchurch earthquake.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A pdf transcript of Ian's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Josie Hepburn.
An edited copy of the pdf transcript of Caroline Murray's second earthquake story, captured by the UC QuakeBox Take 2 project. At the participant's request, parts of this transcript have been redacted. Interviewer: Paul Millar. Transcriber: Maggie Blackwood.
About five thousand people have attended a vigil in memory of the victims of the Christchurch earthquake at London's Westminster Cathedral.
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
Photograph captioned by Fairfax, "Memory Javagnwe's baby, Hayley, was born on September 4 2010 when the earth moved for all Cantabrians".
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Colin Lau. Colin describes the photograph as follows: "Our science building (where I got my physics degree in 1972) on the left, lecture hall in the middle and engineering school to the right & behind the lecture hall".
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Colin Lau. The photograph depicts several University of Canterbury buildings, including the Chemistry and Physics building (now known as the Rutherford building) in the background.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A photograph of University of Canterbury alumnus Babul Hasan being presented with his degree at a graduation ceremony.
A photograph described by University of Canterbury alumnus Mike Gibbs as follows: "Picture of our campaign posters in their original colours".
A photograph of University of Canterbury students, including Babul Hasan (centre) dressed in graduation regalia.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
A story submitted by Pat A Chousal to the QuakeStories website.
This paper explores the responses by a group of children to an art project that was undertaken by a small school in New Zealand after the September 2010 and February 2011 Christchurch earthquakes. Undertaken over a period of two years, the project aimed to find a suitable form of memorialising this significant event in a way that was appropriate and meaningful to the community. Alongside images that related directly to the event of the earthquakes, the art form of a mosaic was chosen, and consisted of images and symbols that clearly drew on the hopes and dreams of a school community who were refusing to be defined by the disaster. The paper 'writes' the mosaic by placing fragments of speech spoken by the children involved in relation to ideas about memory, affect, and the 'sublime', through the work of Jean-Francois Lyotard. The paper explores the mosaic as constituted by the literal and metaphorical 'broken pieces' of the city of Christchurch in ways that confer pedagogic value inscribed through the creation of a public art space by children. AM - Accepted Manuscript
Worcester Blvd. Lawrence Roberts works for Photo & Video in Christchurch, suppliers of much of my photo gear in exchange for cash!