Search

found 281 results

Images for Film; more images...

Images, Alexander Turnbull Library

An arm representing the 'Citizens & Volunteers of Christchurch' offers an Oscar Award for 'True Grit'. Context - Admiration at the way the people and the volunteers have managed after the Christchurch earthquake of 22 February 2011. True Grit is a 2010 American Western film written and directed by the Coen brothers. It is the second adaptation of Charles Portis' 1968 novel of the same name, which was previously adapted for film in 1969 starring John Wayne. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Research papers, The University of Auckland Library

This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.

Audio, Radio New Zealand

As the feature length documentary When A City Falls about the Christchurch earthquakes goes on general release in New Zealand, One in Five recalls a programme from earlier in the year when Mike Gourley sneaks inside the Christchurch cordon to meet up with red zone resident, Frank Film's Gerard Smyth.

Videos, UC QuakeStudies

A video of the 2016 Civic Earthquake Memorial Service, held to mark the fifth anniversary of the 22 February 2011 earthquake. The service was held on the Archery Lawn in the Christchurch Botanic Gardens at midday on 22 February 2016. The service was filmed for the Christchurch City Council by Alan Radford of Multicam TV.

Images, eqnz.chch.2010

The obligatory earthquake damage shot. Taken on Ilford Pan F+ with a Yashica-Mat 124G, developed in ID-11 for 8.5 minutes, printed on Ilford Multigrade IV RC, print developed in Ilford Universal PQ.

Audio, Radio New Zealand

Film and TV reviewer Tamar Munch takes a look at the new US drama The Outsider, based on the Stephen King novel of the same name, and Help Is On The Way, a Kiwi documentary based on the 6.3 Christchurch earthquake and what happened to the 36 guest trapped on the top floors of the Hotel Grand Chancellor.

Images, UC QuakeStudies

A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. Two cameras are filming the welcome. The ceremony was held in Burwood Park.

Images, UC QuakeStudies

A camera man filming Christchurch Mayor Bob Parker and Earthquake Recovery Minister Gerry Brownlee handling a jackhammer on Kingsford Street in Burwood. This was part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). A contractor is standing to the left.

Audio, Radio New Zealand

Highlights from Radio New Zealand National's programmes for the week ending Friday 8 October. This week.....Canterbury marks a month since its earthquake, a co-producer of The Hobbit speaks out about union activity threatening the film's production in New Zealand, can the Commonwealth Games media stomach Delhi, Michael Caine talks about his new autobiography and we get the lowdown on whitebait.

Audio, Radio New Zealand

British researchers have found smokers are twice as likely to succeed in quitting if they receive supportive text messages, the head of the Christchurch Earthquake Rebuilding Agency (CERA) Roger Sutton says there will be no quick end in sight for the ongoing insurance problems in Canterbury and the government's hoping a new deal with Bollywood film-makers could bring millions of dollars into New Zealand.

Images, UC QuakeStudies

USCA President, Kohan McNab, and leader of the Student Volunteer Army, Sam Johnston, being filmed on top of the ENSOC fire engine. Below, students from the University of Canterbury are enjoying a barbeque lunch break. The students have volunteered to dig up liquefaction as part of the Student Volunteer Army.

Audio, Radio New Zealand

A new exhibition is simply called " 37". The show is by the photographer Doc Ross, features 37 Christchurch people captured on film using a 37 second exposure. The aim: to reflect the length of time their city shook during February 2011's devastating earthquake. Katy Gosset hears some of the stories behind the exhibition and hits the streets to record her own take on the 37 second concept.

Audio, Radio New Zealand

Tairawhiti District health board officials are going into schools in the Gisborne region in an effort to reduce cases of rheumatic fever; A designers' group says the Canterbury earthquake has created an opportunity for the local iwi to put its architectural stamp on the new Christchurch; Kaitaia people will be among the first in the country to see a long-awaited film about the much-loved comedian - Billy T James.

Research Papers, Lincoln University

This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.

Audio, Radio New Zealand

Gaylene Preston has been making feature films and documentaries with a distinctive NZ flavour for over 30 years. Her latest venture is an epic six part drama series called Hope and Wire, which she produced and directed. Set in Christchurch in the aftermath of the devastating earthquakes, Hope and Wire is a fictionalised mix of characters - families that fly apart, others that come together - and what happens to a city that loses it's centre in an instant.

Videos, UC QuakeStudies

A video made by Julian Vares about FESTA - the Festival of Transitional Architecture. The video includes explanations from FESTA director Jessica Halliday and key collaborators about what FESTA is about, and the important role it plays in the rebuild and recovery of Christchurch. It also includes a compilation of footage from the first three FESTA events of 2012, 2013 and 2014. This footage was shot by Rick Harvie (Belmont Productions), Peter Young (Fisheye Films), Ed Lust and John Chrisstoffels.

Videos, UC QuakeStudies

A video of interviews with three residents about their Port Hills properties. The video was filmed the day after Earthquake Recovery Minister Gerry Brownlee announced the red-zoning of 285 Port Hills properties. The video includes an interview with Marine Kent (whose house was zoned white to green), Mark Tranter (whose house was zoned white to red), and Tony Ging (whose house is still white-zoned).

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working on their armchair artwork. Reporter Mike Thorpe is in the background.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Jenny Cooper, Marie Hudson, and Sharon Wilson."

Images, UC QuakeStudies

A photograph of members of the public examining Crack'd for Christchurch's armchair mosaic. The armchair and ottoman artworks have just been unveiled during the launch of the Green Room garden on Colombo Street. In the foreground are several members of Crack'd for Christchurch. A camera operator from One News is also filming the event.

Audio, Radio New Zealand

Rural Maori children in the Gisborne region will be visited at school by Health Officials in an effort to reduce the incidence of rheumatic fever; A designers' group says the Canterbury earthquake has created an opportunity for the local iwi to put its architectural stamp on the new Christchurch; Workers who carved the pou on Northland's popular new cycle trail will meet the Prime Minister later this month; Kaitaia people will be among the first in the country to see a long-awaited film about the much-loved comedian - Billy T James.

Images, UC QuakeStudies

A photograph of a TVNZ camera operator filming the members of Crack'd for Christchurch during the launch of the Green Room garden. The members have gathered around their armchair and ottoman artwork. The armchair and ottoman are covered in white sheets and tied with a blue bow. They will be unveiled for the first time during the launch.Crack'd for Christchurch comments, "The whole team together."

Audio, Radio New Zealand

Film and TV reviewer Perlina Lau joins Kathryn to talk about murder mystery The Perfect Couple (Netflix), starring Nicole Kidman and Eve Hewson. She'll also talk about documentary Maurice and I (cinemas) that celebrates Sir Miles Warren and Maurice Mahoney's hugely influential architectural partnership, and impact the Christchurch earthquakes had on their legacy. And A Very Royal Scandal (Prime Video) is the second recent production that goes behind the scenes of the damaging interview Prince Andrew gave over his friendship with Jeffrey Epstein. Perlina Lau is co-host of RNZ's Culture 101 programme.

Images, UC QuakeStudies

A photograph of Sarah Campagnolo, Project Co-ordinator for Greening the Rubble, speaking at the opening of the Green Room garden. In the background, members of Crack'd for Christchurch have gathered around their armchair and ottoman artworks. The artworks are wrapped in white sheets and tied with a bow. They will be unveiled for the first time during the launch. To the right, a camera operator from One News is filming the speech.

Images, UC QuakeStudies

Student leaders, including UCSA President Kohan McNab and Sam Johnston, head of the Student Volunteer Army, leading students from the University of Canterbury in a two minute silence to remember those who died in the 22 February 2011 earthquake. They have stood on top of the ENSOC fire engine to address the crowd, and the event has been filmed from that vantage point. The students have been enjoying a barbeque lunch break in Burwood Park after volunteering to dig up liquefaction as part of the Student Volunteer Army.

Images, Alexander Turnbull Library

The cartoon suggests that the Kiwi character has too much of a 'She'll be right' attitude. Refers to a 1996 documentary called 'Earthquake!' which outlined the effects of a major earthquake on Christchurch's eastern suburbs and heritage buildings. The director Grant Dixon says lives could have been saved if officials had heeded the film's warnings. (Stuff: 11 March 2011) Quantity: 1 digital cartoon(s).

Research papers, The University of Auckland Library

This thesis is a creative and critical exploration of how transmedia storytelling meshes with political documentary’s nature of representing social realities and goals to educate and promote social change. I explore this notion through Obrero (“worker”), my independently produced transmedia and transjournalistic documentary project that explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. While the project should appeal to New Zealanders, it is specifically targeted at an audience from the Philippines. Obrero began as a film festival documentary that co-exists with strategically refashioned Web 2.0 variants, a social network documentary and an interactive documentary (i-doc). Using data derived from the production and circulation of Obrero, I interrogate how the documentary’s variants engage with differing audiences and assess the extent to which this engagement might be effective. This thesis argues that contemporary documentary needs to re-negotiate established film aesthetics and practices to adapt in the current period of shifting technologies and fragmented audiences. Documentary’s migration to new media platforms also creates a demand for filmmakers to work with a transmedia state of mind—that is, the capacity to practise the old canons of documentary making while comfortably adjusting to new media production praxis, ethics, and aesthetics. Then Obrero itself, as the creative component of this thesis, becomes an instance of research through creative practice. It does so in two respects: adding new knowledge about the context, politics, and experiences of the Filipino workers in New Zealand; and offering up a broader model for documentary engagement, which I analyse for its efficacy in the digital age.

Images, UC QuakeStudies

A photograph of an 'All Rightie' posing with a hard hat for the 'BYO CSO' prize draw. The 'BYO CSO' was one of the 'Outrageous Bursts of All Right' projects, in which the Christchurch Symphony Orchestra entertained customers at Wainoni Pak'nSave by setting up and performing a piece of music in the supermarket itself. The performance and customers' reactions were filmed and shared on social media. All Right? encouraged their followers to share the video around by entering everyone who did so into the prize draw for one of eight $250 Pak'nSave vouchers. All Right? posted the photograph on their Facebook page on 8 April 2014 at 6:00am.