A photograph of street art on a fence near the roundabout of St Martins Road and Gamblins Road. The artwork depicts a Star Wars Stormtrooper and Space Invaders characters.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "what OVTRK has been up to and notice of forum".
A photograph of street art on the wall of the Calendar Girls building on Hereford Street. The artwork is by Australian artist Seb Humphreys, who works under the name 'Order 55'.
A photograph of the former site of Doug Sexton's house at 378 Oxford Terrace. Sexton's house was demolished after his land was zoned Red. Grass has begun to grow in the site.
A photograph of street art on a fence near the roundabout of St Martins Road and Gamblins Road. The artwork depicts a Star Wars Stormtrooper and Space Invaders characters.
A photograph of a detail of street art on Fitzgerald Avenue. The work was created by DEOW on the back wall of AJ Glass, for the "From the Ground Up" project.
A photograph of a detail of street art on Fitzgerald Avenue. The work was created by DEOW on the back wall of AJ Glass, for the "From the Ground Up" project.
A photograph of the former site of Robin Duff's house at 386 Oxford Terrace. Duff's house was demolished after his land was zoned Red. Grass has begun to grow on the site.
A photograph of the former site of Doug Sexton's house at 378 Oxford Terrace. Sexton's house was demolished after his land was zoned Red. Grass has begun to grow in the site.
A photograph of the former site of Robin Duff's house at 386 Oxford Terrace. Duff's house was demolished after his land was zoned Red. Grass has begun to grow on the site.
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer attributes the work to Deus. The art work is titled "Li'l Elliot".
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer attributes the work to Deus. The art work is titled "Li'l Elliot".
A photograph looking east along Oxford Terrace from outside the former site of Donna Allfrey's house. Allfrey's house was demolished after her land was zoned Red. The sites of many other demolished houses can be seen to the left.
A photograph of the former site of Donna Allfrey's house on Oxford Terrace. Allfrey's house was demolished after her land was zoned Red. The photographer comments, "Large section of the front fence has been stolen by looters".
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "One Voice Te Reo Kotahi Sector Forum: 'Questions regarding CERA transitioning out in 2016'".
A photograph of the former site of a house at 57 Bangor Street. The house was demolished after the land was zoned Red. The houses in the background have also been demolished, so that Oxford Terrace is visible in the distance.
A photograph of the former sites of several houses on Bangor Street. The houses were demolished after the land was zoned Red. A stake has been placed in the ground to the left. A message written on the stake reads, "412 Oxford Terrace waste water". Grass has begun to grow in the empty sites.
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. Wire fencing has been placed around the outside of the neighbouring property. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. Wire fencing has been placed around the outside of the neighbouring property. The photographer comments, "The house was deconstructed and rebuilt on another site".
A photograph of a wire fence at the border of 406 Oxford Terrace. 406 Oxford Terrace is the former site of Donna Allfrey's house which was demolished after her land was zoned Red. In front of the fence, gravel has been spread over the ground.
A photograph of the former site of a house at 58 Bangor Street. The house was demolished after the land was zoned Red. The grass has begun to grow over the site. The house behind has also been demolished, so that Oxford Terrace is now visible in the distance.
A photograph of a wire fence that has been placed at the border of 406 Oxford Terrace. 406 Oxford Terrace is the former site of Donna Allfrey's house which was demolished after her land was zoned Red. Behind the fence, gravel has been spread over the ground.
The Canterbury earthquakes, which involved widespread damage in the February 2011 event and ongoing aftershocks near the Christchurch central business district (CBD), presented decision-makers with many recovery challenges. This paper identifies major government decisions, challenges, and lessons in the early recovery of Christchurch based on 23 key-informant interviews conducted 15 months after the February 2011 earthquake. It then focuses on one of the most important decisions – maintaining the cordon around the heavily damaged CBD – and investigates its impacts. The cordon displaced 50,000 central city jobs, raised questions about (and provided new opportunities for) the long-term viability of downtown, influenced the number and practice of building demolitions, and affected debris management; despite being associated with substantial losses, the cordon was commonly viewed as necessary, and provided some benefits in facilitating recovery. Management of the cordon poses important lessons for planning for catastrophic urban earthquakes around the world.
Gerry Brownlee is the Canterbury Earthquake Recovery Minister. Hugo Kristinsson is a South Brighton resident who stood for mayor last year on the issue of flood risk and land damage. David Stringer is the spokesperson for the community lobby group Insurance Watch - which has been seeking answers from the council since 2011 about the flood risk to the city. Nine to Noon speaks with all three about the recent flooding in Christchurch.
Millions of urban residents around the world in the coming century will experience severe landscape change – including increased frequencies of flooding due to intensifying storm events and impacts from sea level rise. For cities, collisions of environmental change with mismatched cultural systems present a major threat to infrastructure systems that support urban living. Landscape architects who address these issues express a need to realign infrastructure with underlying natural systems, criticizing the lack of social and environmental considerations in engineering works. Our ability to manage both society and the landscapes we live in to better adapt to unpredictable events and landscape changes is essential if we are to sustain the health and safety of our families, neighbourhoods, and wider community networks. When extreme events like earthquakes or flooding occur in developed areas, the feasibility of returning the land to pre-disturbance use can be questioned. In Christchurch for example, a large expanse of land (630 hectares) within the city was severely damaged by the earthquakes and judged too impractical to repair in the short term. The central government now owns the land and is currently in the process of demolishing the mostly residential houses that formed the predominant land use. Furthermore, cascading impacts from the earthquakes have resulted in a general land subsidence of .5m over much of eastern Christchurch, causing disruptive and damaging flooding. Yet, although disasters can cause severe social and environmental distress, they also hold great potential as a catalyst to increasing adaption. But how might landscape architecture be better positioned to respond to the potential for transformation after disaster? This research asks two core questions: what roles can the discipline of landscape architecture play in improving the resilience of communities so they become more able to adapt to change? And what imaginative concepts could be designed for alternative forms of residential development that better empower residents to understand and adapt the infrastructure that supports them? Through design-directed inquiry, the research found landscape architecture theory to be well positioned to contribute to goals of social-ecological systems resilience. The discipline of landscape architecture could become influential in resilience-oriented multi disciplinary collaborations, with our particular strengths lying in six key areas: the integration of ecological and social processes, improving social capital, engaging with temporality, design-led innovation potential, increasing diversity and our ability to work across multiple scales. Furthermore, several innovative ideas were developed, through a site-based design exploration located within the residential red zone, that attempt to challenge conventional modes of urban living – concepts such as time-based land use, understanding roads as urban waterways, and landscape design and management strategies that increase community participation and awareness of the temporality in landscapes.
The disastrous earthquakes that struck Christchurch in 2010 and 2011 seriously impacted on the individual and collective lives of Māori residents. This paper continues earlier, predominantly qualitative research on the immediate effects on Māori by presenting an analysis of a survey carried out 18 months after the most destructive event, on 22 February 2011. Using a set-theoretic approach, pathways to Māori resilience are identified, emphasising the combination of whānau connectivity and high incomes in those who have maintained or increased their wellbeing post-disaster. However, the results show that if resilience is used to describe a “bounce back” in wellbeing, Māori are primarily enduring the post-disaster environment. This endurance phase is a precursor to any resilience and will be of much longer duration than first thought. With continued uncertainty in the city and wider New Zealand economy, this endurance may not necessarily lead to a more secure environment for Māori in the city.