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Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower. From left: Marie Hudson, Helen Campell, and Jennie Cooper."

Images, UC QuakeStudies

A photograph of people in high visibility gear and hard hats constructing an installation for CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014. It was created by architecture students in collaboration with local businesses, artists, performers and innovators.

Images, Canterbury Museum

One print on paper of an artwork titled "There Came a Day" featuring the text "There came a day, the earth did say, I've had enough, of this fault's fray, so up it lift, a Christchurch rift, a seven point one, of rattle and tip, still here we are, too strong to split" in white and red ink on a black background.

Images, Canterbury Museum

One print on paper of an artwork titled "Build it on Jelly" featuring an image of a construction worker and steel beam in black ink standing on a molded jelly in orange ink, with the words "Build it on Jelly, By Order, Jelly City Council, Christchurch NZ".

Images, UC QuakeStudies

A photograph of chalk writing on a footpath next to the Avon River, as part of Emerge Poetica #5. The text reads 'Poetica in association with FESTA, follow the stones to our floating poem..' The project was part of FESTA 2014 and included water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of a container of short poems printed on paper tags, for the event Emerge Poetica #5. This event was part of FESTA 2014 and included a calligraphic line of poetry floating in the Avon River, water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Emerge Poetica #5 - a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River by the historic mill wheel. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.

Images, UC QuakeStudies

A photograph of Helen Campbell and Jonathan Hall preparing to move Crack'd for Christchurch's ottoman artwork. The ottoman has been wrapped up in bubble wrap and secured to a pallet.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."

Images, UC QuakeStudies

A photograph of Jenny Cooper taking a break in front of the Crack'd for Christchurch armchair artwork. The Crack'd for Christchurch team have been working on the artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch preparing to attach one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."

Images, UC QuakeStudies

A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch, Greening the Rubble, and Phresh Deliveries standing in front of a truck. Crack'd for Christchurch's armchair artwork has been wrapped in a tarpaulin and placed on the back of the truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces. From left: Marie Hudson, Jenny Cooper, Jonathan Hall, and Nick Johnston from Phresh Deliveries."

Images, UC QuakeStudies

A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."

Images, Canterbury Museum

One white linen tea towel with the poem ‘Stronger City’ by Gertrude Ryder Bennett, 1931, printed in black. This tea towel was produced by Lyttelton retailer 'God Save the Queen' in response to the 22 February earthquake. Rebecca Lovell-Smith owned and operated the vintage shop ‘God Save the Queen’ in Lyttelton. She lost both her home and the sh...

Images, UC QuakeStudies

A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".

Images, UC QuakeStudies

A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from an angle such that the artwork gives the illusion that the walkway is transparent.