The "Lyttelton Harbour Review" newsletter for 15 July 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 22 April 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 24 June 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 20 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 10 October 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 30 July 2012, produced by the Lyttelton Harbour Information Centre.
An entry from Deb Robertson's blog for 4 January 2013 entitled, "A quilt for James in the Pallet Pavilion...".
A photograph of two people wearing neon lights. They are standing under The Arcades Project at The Commons, during Light Up Your Life - a youth-focused procession of glowing activity and wearable art. Light Up Your Life was organised by Gap Filler and was part of the public programme for FESTA 2014.
A digital copy of a painting by Julia Holden. The painting is of an excavator parked on a cleared block of land. The land is on Colombo Street, near the corner of Armagh Street.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Nikki Wallace at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Tracey Porteous at Gap Filler's Inconvenience store, standing in beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Catherine Morganti at Gap Filler's Inconvenience store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A PDF copy of pages 328-329 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Unsanctioned Graffiti Across the City'. Photo: Reuben Woods
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Grey Quinn at Gap Filler's Inconvenience Store, standing in front of his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A copy of the program for the screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
A copy of the poster used to advertise screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
A photograph of a large-scale sculpture titled Altitude being set up for LUXCITY, on the corner of Gloucester Street and Manchester Street.
A photograph of architecture students in hard hats and high-visibility vests, standing in front of Etch-A-Sketch at LUXCITY.
A photograph of two architecture students standing among large inflated white balls that are part of the In Your Face installation at LUXCITY.
A photograph of a model posing inside an inflated, transparent ball as part of the In Your Face installation at LUXCITY.
A photograph of people looking at a sculpture under construction for the Pavilions & Lighting Devices night market, which is part of LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.