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Images, UC QuakeStudies

A photograph of Jenny Cooper positioning paper mosaic designs on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "January 2014. Jenny Cooper begins the design of the chair 'fabric'. The chair has to be finished by September."

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Images, UC QuakeStudies

A photograph of people gathered at the corner of Gloucester Street and Colombo Street for Picture Palace Parade - a tour of Cathedral Square's historic cinema sites and outdoor movie screening of Heavenly Creatures. The event was part of FESTA 2014.

Images, UC QuakeStudies

A photograph of an installation on the corner of Gloucester Street and Colombo Street. The installation is titled "Etch-a-Sketch", and is part of the LUXCITY event.

Images, UC QuakeStudies

A photograph of The Present State - a contemplative installation that played projected recordings of foraging adventures by Plant Gang. The installation was part of FESTA 2014 and was located on a vacant site at 100 High Street.

Videos, UC QuakeStudies

A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, respond to questions from the floor. Brendon Burns, of Brendon Burns and Associates, facilitates the discussion.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."

Research papers, The University of Auckland Library

Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/2013-2/

Images, UC QuakeStudies

A photograph of Helen Campbell preparing to attach one of the flower mosaics to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."