An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A montage of photographs of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a sign on the exterior of the Lions Transitional Facility. The sign reads, "St Albans Community Centre. A Lions Community Partnership".
A photograph of an installation on the corner of Manchester Street and Worcester Street. The installation is titled "Archrobatics", and is part of the LUXCITY event.
A fallen branch caught in weeds in the River Styx. The photographer comments, "This branch was broken off during one of the recent Christchurch earthquakes and fell into the River Styx. Now one side has sprouted roots and the other new buds".
A concrete block wall with a large diagonal crack running through it. The photographer comments, "This wall has fascinated me. It has cracked across in a dead straight diagonal line during one of Christchurch's many earthquakes. How could this have occurred?".
Mural on the side wall of Perry's Cafe on Madras Street. It depicts two work men; one speech bubble saying "Is my crack showing?" and in other other it says "Don't be silly!". A topical joke about the cracks on the wall and Christchurch in general.
Member of the public using the Dance-O-Mat, a dance floor on a vacant site with coin operated light and music player. This was a project by Gap Filler who wanted to give the Christchurch community a unique dance experience whilst bringing life to our broken city.
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
Stonemason Mark Whyte puts sculpting commissions aside in order to respond to the Christchurch earthquakes and save classic street facades from the 1870s. Across the Red Zone and 3 generations of the Aires family- Bob, Rob and Suzie are at work on the Heritage Hotel which were the old government buildings.
A digitally manipulated image of a fallen headstone. The photographer comments, "Since the September 2010 earthquake in Christchurch, New Zealand a lot of the headstones have fallen, but sadly a lot have not been resurrected to their former places".
Micro - electro - mechanical system (MEMS) based accelerometers are now frequently used in many different parts of our day - to - day lives. It is also increasingly being used for structural testing applications. Researchers have had res ervation of using these devices as they are relatively untested, but now with the wider adoption, it provides a much cheaper and more versatile tool for structural engineering researchers. A number of damaged buildings in the Christchurch Central Business District (CBD) were instrumented with a number of low - cost MEMS accelerometers after the major Christchurch earthquakes. The accelerometers captured extremely high quality building response data as the buildings experienced thousands of aftershocks. This d ata set was amongst one of only a handful of data set s available around the world which provides building response data subjected to real ground motion. Furthermore, due to technological advances, a much larger than usual number of accelerometers has been deployed making the data set one of the most comprehensive available. This data set is utilised to extract modal parameters of the buildings. This paper summarises the operating requirements and preference for using such accelerometers for experimental mod al analysis. The challenges for adapting MEMS based devices for successful modal parameters identification are also discussed.
Photograph captioned by BeckerFraserPhotos, "Close up of the cranes working on the Clarendon Tower. Big Red behind is now the crane in Christchurch capable of lifting the largest load. The yellow crane is a tower crane which is still being assembled".
After a damning report into the CTV building, how many other Christchurch buildings had faults when the earthquake struck? Police investigate the tragic death of a five year old and when so many businesses are struggling, how did the country's big banks increase profits by a quarter?
Topic 1: The Minister for Earthquake Recovery, Gerry Brownlee, was quick to apologise to the Christchurch Mayor Bob Parker for calling him a clown. Topic 2: The Electoral Commission says John Key's hour-long pre-election radio show gave him the chance to raise his personal profile unchallenged.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".
The word 'faith' has been formed by flowers on the cordon fence beside St John the Baptist Church on Latimer Square. The photographer comments, "If I remember correctly this has been on the fence surrounding the Christchurch earthquake red zone for quite a while and looks remarkably pristine".
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 23 December 2012, looking over Hereford Street with the Re:Start container mall visible in the bottom right, Oxford Terrace to the left. The buildings at the end of Cashel Street near Oxford Terrace have been demolished.
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Tim Manning Remembers February 22nd".
A photograph of an installation on the corner of Gloucester Street and Colombo Street. The installation is titled "Etch-a-Sketch", and is part of the LUXCITY event.
Members of the public view the damaged tower of Christ Church Cathedral. Bracing has been placed on the front wall to the right to limit further damage. In the centre of the crowd stands a wire cage filled with stones. After the earthquake, love notes to Christchurch were written on the stones.
A digitally manipulated image of a direction signpost, with every sign pointing to parking. The photographer comments, "With around 70% of the buildings to be demolished in the CBD, Christchurch, New Zealand will be the biggest parking lot in the world for a few years".