Micro - electro - mechanical system (MEMS) based accelerometers are now frequently used in many different parts of our day - to - day lives. It is also increasingly being used for structural testing applications. Researchers have had res ervation of using these devices as they are relatively untested, but now with the wider adoption, it provides a much cheaper and more versatile tool for structural engineering researchers. A number of damaged buildings in the Christchurch Central Business District (CBD) were instrumented with a number of low - cost MEMS accelerometers after the major Christchurch earthquakes. The accelerometers captured extremely high quality building response data as the buildings experienced thousands of aftershocks. This d ata set was amongst one of only a handful of data set s available around the world which provides building response data subjected to real ground motion. Furthermore, due to technological advances, a much larger than usual number of accelerometers has been deployed making the data set one of the most comprehensive available. This data set is utilised to extract modal parameters of the buildings. This paper summarises the operating requirements and preference for using such accelerometers for experimental mod al analysis. The challenges for adapting MEMS based devices for successful modal parameters identification are also discussed.
This research is a creative exploration of transmedia’s ability to offer up a model of distribution and audience engagement for political documentary. Transmedia, as is well known, is a fluid concept. It is not restricted to the activities of the entertainment industry and its principles also reverberate in the practice of political and activist documentary projects. This practice-led research draws on data derived from the production and circulation of Obrero, an independent transmedia documentary. The project explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. Obrero began as a film festival documentary that co-exists with two other new media iterations, each reaching its respective target audience: a web documentary, and a Facebook-native documentary. This study argues that relocating the documentary across new media spaces not only expands the narrative but also extends the fieldwork and investigation, forms like-minded publics, and affords the creation of an organised hub of information for researchers, academics and the general public. Treating documentary as research can represent a novel pathway to knowledge generation and the present case study, overall, provides an innovative model for future scholarship.
To the casual observer, community gardens may look like places where people just come to grow fruit and vegetables. Through digging beneath surface appearances, however, the research literature suggests that there is more to the creation of and participation in community gardens than that which is immediately apparent. The overall aim of this research was to explore and interpret the meaning of community gardens in terms of the sought and experienced well-being of the individuals who participate, and their associated communities. This research was undertaken in the Christchurch/Selwyn district, in the aftermath of the Christchurch earthquakes of 2010-2011. This research utilised the technique of photo-elicitation interviews to study the meanings attributed to community gardening, in the post-earthquake environment. Five gardens were investigated. Results show that a range of meanings, and well-being outcomes are experienced through a combination of physical, educational, aesthetic appreciation, contemplative, creative and social connections within the garden and within the overall context of nature. Significantly, within the post-earthquake environment, the community gardens can offer participants the opportunity to appreciate life and what it means for them.
This research aims to explore how business models of SMEs revolve in the face of a crisis to be resilient. The business model canvas was used as a tool to analyse business models of SMEs in Greater Christchurch. The purpose was to evaluate the changes SMEs brought in their business models after hit by a series of earthquake in 2010 and 2011. The idea was to conduct interviews of business owners and analyse using grounded theory methods. Because this method is iterative, a tentative theoretical framework was proposed, half way through the data collection. It was realised that owner specific characteristics were more prominent in the data than the elements business model. Although, SMEs in this study experienced several operational changes in their business models such as change of location and modification of payment terms. However, the suggested framework highlights how owner specific attributes influence the survival of a small business. Small businesses and their owners are extremely interrelated that the business models personify the owner specific characteristics. In other words, the adaptation of the business model reflects the extent to which the owner possess these attributes. These attributes are (a) Mindsets – the attitude and optimism of business owner; (b) Adaptive coping – the ability of business owner to take corrective actions; and (c) Social capital – the network of a business owner, including family, friends, neighbours and business partners.
The Canterbury Earthquake Sequence (CES), induced extensive damage in residential buildings and led to over NZ$40 billion in total economic losses. Due to the unique insurance setting in New Zealand, up to 80% of the financial losses were insured. Over the CES, the Earthquake Commission (EQC) received more than 412,000 insurance claims for residential buildings. The 4 September 2010 earthquake is the event for which most of the claims have been lodged with more than 138,000 residential claims for this event only. This research project uses EQC claim database to develop a seismic loss prediction model for residential buildings in Christchurch. It uses machine learning to create a procedure capable of highlighting critical features that affected the most buildings loss. A future study of those features enables the generation of insights that can be used by various stakeholders, for example, to better understand the influence of a structural system on the building loss or to select appropriate risk mitigation measures. Previous to the training of the machine learning model, the claim dataset was supplemented with additional data sourced from private and open access databases giving complementary information related to the building characteristics, seismic demand, liquefaction occurrence and soil conditions. This poster presents results of a machine learning model trained on a merged dataset using residential claims from the 4 September 2010.
Geological research in the immediate aftermath of the 2016 Kaikōura Earthquake, New Zealand, was necessary due to the importance and perishability of field data. It also reflects a real desire on the part of researchers to contribute not only to immediate scientific understanding but also to the societal recovery effort by enhancing knowledge of the event for the benefit of affected communities, civil defence organizations and regional and national decision makers. This commitment to outreach and engagement is consistent with the recent IAPG statement of Geoethics. More immediately, it was informed by experience of the 2010-2011 Canterbury Earthquake sequence. After that earlier disaster, intense interactions between researchers and various response agencies as well as local communities informed the development and dissemination of a set of ethical guidelines for researchers immediately following the Mw7.8 14 November 2016 Kaikōura Earthquake. In this presentation, I argue that ethical engagement of this kind is the key to gathering high quality research data immediately after the event. Creating trusting and mutually respectful, mutually beneficial relationships is also vital to ongoing engagement to facilitate further “in depth” research in collaboration with communities.
Earthquakes are insured only with public sector involvement in high-income countries where the risk of earthquakes is perceived to be high. The proto-typical examples of this public sector involvement are the public earthquake insurance schemes in California, Japan, and New Zealand (NZ). Each of these insurance programs is structured differently, and the purpose of this paper is to examine these differences using a concrete case-study, the sequence of earthquakes that occurred in the Christchurch, New Zealand, in 2011. This event turned out to have been the most heavily insured earthquake event in history. We examine what would have been the outcome of the earthquakes had the system of insurance in NZ been different. In particular, we focus on the public earthquake insurance programs in California (the California Earthquake Authority - CEA), and in Japan (Japanese Earthquake Reinsurance - JER). Overall, the aggregate cost to the public insurer in NZ was $NZ 11.1 billion in its response to the earthquakes. If a similar-sized disaster event had occurred in Japan and California, homeowners would have received $NZ 2.5 billion and $NZ 1.4 billion from the JER and CEA, respectively. We further describe the spatial and distributive patterns of these different scenarios.
This website provides official information about Ministers, their portfolios and major initiatives. The site also includes full-text news items, press releases (including releases about the Budget), speeches and newsletters. Earthquake related information can be found in the archived instances from September 2010-
A photograph captioned by BeckerFraserPhotos, "A pile of bricks which have crumbled from a wall and landed on a digger at a demolition on Lichfield Street. This is a result of the 23 December 2011 earthquake".
A photograph of a sign on a fence in front of a partially-demolished building on Cashel Street. The sign reads, "This building is dangerous and not safe to enter". In the background, an excavator is working to remove the rubble from in front of the building.
A photograph of a vacant site on the corner of Manchester Street and Gloucester Street. This is to be the location of a large-scale sculpture titled Altitude, which is part of LUXCITY.
Photograph captioned by Fairfax, "Christchurch Airport opened at 8am this morning to domestic flights. Robby and Rolly Alden were booked to leave to go back to the UK yesterday (Feb 22 2010) and are hoping to get out of Christchurch today".
Photograph captioned by BeckerFraserPhotos, "96 Harbour Road, a red zoned property in Brooklands. Many of the homeowners in this area believe that their homes should not be red zoned as the damage is much less than in other red zoned areas".
A video of an address by Dr. Duncan Webb, Partner of Lane Neave, at the 2015 Seismics and the City forum. This talk is about learning from complex claims and local knowledge.
A video of an address by Geoff Cavell, Managing Director of Winnie Bagoes Holding Ltd, at the 2015 Seismics and the City forum. This talk is about learning from complex claims and local knowledge.
A building on the corner of Madras Street and Hereford Street, with the Canterbury Television Building visible in the background. Masonry from this building has crumbled onto the footpath below. Fire engines can be seen along Madras Street, combating the fire.
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. This section of the mural contains bubbles with artworks painted inside.
Photograph captioned by BeckerFraserPhotos, "The church of St Michaels and All Angels is undamaged after the two earthquakes. The pipe organ suffered significant but reparable damage. This church is now the only operational church within the city centre".
Our Christchurch features producer, Kary Gosset has a story from one of the worst affected areas from the Feb 22 earthquake. Sumner has frequently been in the news with images of its crumbled cliffs, and Sumner is where Katy Gosset lives. This is her latest snapshot at where her suburb is at.
Radio New Zealand has had to abandon the Christchurch building that was our base and the home of Sound Archives - Nga Taonga Korero. In this edition of The Vault; Deborah Nation draws on recordings made on the day an earthquake finally evicted her and the other people there.
A faltering economy is likely to mean the Reserve Bank will keep the official cash rate on hold this morning. That could be some help to businesses in Christchurch, struggling first with the slow recovery and then hammered by the earthquake 12 days ago.
A video of an interview with Allison Naylor about her property in the Flockton Basin. Naylor had to leave her house after flooding made it unliveable. This video was part of a series of videos about residents in the flood-prone Flockton Basin.
A photograph of members of Crack'd for Christchurch in their workshop.Crack'd for Christchurch comments, "Big things are finally happening...this is our first day working in our new workshops. From left: Sharon Wilson, Marie Hudson, Helen Campbell, Jenny Cooper, and Shirley Walden."
An aerial photograph of New Brighton. The photograph has been captioned by BeckerFraserPhotos, "Anzac Drive Bridge over the River Avon. The houses in the bottom half of this photograph are residential red zoned".
A video of interviews with orange-zoned residents in Kaiapoi about the possibility of their properties becoming red zoned. This was recorded after The Press published news that up to one-third of Kaiapoi homes may be red zoned and therefore not rebuilt.
In 1874 this modest two-storey farm house was built on the outskirts of Christchurch. It’s not the sort of house we normally see in Christchurch, in part because of its age, but also because it was built as a farm house, … Continue reading →
A photograph captioned by BeckerFraserPhotos, "The owners of Darkroom Bar were talking about how reduced the entertainment options were some months ago. They decided to do something about it and set up this new funky bar at 336 St Asaph Street".
Photograph captioned by BeckerFraserPhotos, "The Avon River is at this point on Avonside Drive 10 km from the estuary. At high tide the river now overflows its banks showing that the ground has sunk by about 40 cm".
Photograph captioned by BeckerFraserPhotos, "The Avon River is at this point on Avonside Drive 10 km from the estuary. At high tide the river now overflows its banks showing that the ground has sunk by about 40 cm".
A photograph of a section of a piece of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. This section of the artwork depicts a scene from Doctor Who.