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Images, UC QuakeStudies

A photograph of the completed Green Room garden on Colombo Street. Crack'd for Christchurch's armchair and mosaic artworks are on a platform in the back. The armchair and ottoman have been wrapped in calico and secured with a bow. A blue ribbon has been tied across the entrance of the garden.

Images, UC QuakeStudies

A photograph of the members of Crack'd for Christchurch gathered on and around their armchair and ottoman artworks. The artworks have just been unveiled during the launch of the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Everyone enjoying the chair."

Images, UC QuakeStudies

A photograph of the location of the Green Room garden on Colombo Street. White picket fences have been placed around the edges of the site and a platform has been partially constructed in the back-right corner. Wire fences have been placed around the entire section as a cordon.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."

Articles, UC QuakeStudies

A pdf copy of panel 5 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Jolene Parker about her experiences of the 2010 and 2011 Canterbury earthquake. Above this is an image of Parker sitting in the site of her grandmother's house, which was demolished after the earthquakes.

Images, UC QuakeStudies

A photograph of the partially-completed Green Room garden on Colombo Street. Crack'd for Christchurch's armchair and mosaic artworks are on a platform in the back. The armchair and ottoman have been wrapped in tarpaulins until their unveiling. Wire fences have been placed around the section as a cordon.Crack'd for Christchurch comments, "Flora and Otto waiting for their big day, with the garden still to be finished."

Images, UC QuakeStudies

An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn

Images, UC QuakeStudies

An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga

Images, UC QuakeStudies

A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.

Images, UC QuakeStudies

A photograph of the wall of a street football arena built by Student Volunteer Army volunteers. The wall has a sign attached acknowledging the support of Resene, and is painted with the words, 'Red zone timber'.

Images, UC QuakeStudies

A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.

Images, UC QuakeStudies

A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs. The bottom half of the frame has been covered with mesh, wood, polystyrene, and concrete by Jonathan Hall.

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's armchair and ottoman artworks in the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Flora and Otto in their lovely garden, made up of plants and materials salvaged from the Christchurch Red Zone."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's armchair and ottoman artworks in the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Flora and Otto in their lovely garden, made up of plants and materials salvaged from the Christchurch Red Zone."

Research papers, Lincoln University

The devastating earthquakes of September 2010 and February 2011 have without question upset the Christchurch City way of life for all. Families and businesses, as well as the natural and built environments have been directly affected, and our social landscapes have since evolved to accommodate the visible changes. Though not perhaps seen as a priority, the Christchurch nightlife has been profoundly altered by the quakes and the once popular CBD clubbing scene has ceased to exist. The concern highlighted in this article is the way in which this has put pressure on suburban bars and the the implications of this for local residents.