Video of Leslie Llewellyn James Griffiths's earthquake story, captured by the UC QuakeBox project.
Video of Ludovic Romany's earthquake story, captured by the UC QuakeBox project.
Video of Janet Symons's earthquake story, captured by the UC QuakeBox project.
Video of Nicky's earthquake story, captured by the UC QuakeBox project.
Video of Gordon Richards's earthquake story, captured by the UC QuakeBox project.
Video of participant number QB1200's earthquake story, captured by the UC QuakeBox project.
Video of Greg Hynes's earthquake story, captured by the UC QuakeBox project.
Video of Rob Smith's earthquake story, captured by the UC QuakeBox project.
Video of Steve Skelton's earthquake story, captured by the UC QuakeBox project.
Video of Tish Hunter's earthquake story, captured by the UC QuakeBox project.
Video of Gemma Hinchey's earthquake story, captured by the UC QuakeBox project.
Video of Keith Unsworth's earthquake story, captured by the UC QuakeBox project.
Video of Sherrilee's earthquake story, captured by the UC QuakeBox project.
Video of Diana Lappage's earthquake story, captured by the UC QuakeBox project.
Video of Herena's earthquake story, captured by the UC QuakeBox project.
Video of Kurt's earthquake story, captured by the UC QuakeBox project.
ELAN transcript of Aeden's earthquake story, captured by the UC QuakeBox project.
Video of Rosie Belton's earthquake story, captured by the UC QuakeBox project.
A PDF copy of a newsletter sent by All Right? to their mailing list in November 2012.
Aid agencies in Canterbury say the earthquake recovery is putting buildings before people.
Nikki Evans, Department of Social Work and Human Services, who has been researching human-animal relationships after the earthquakes.
Nikki Evans, Department of Social Work and Human Services, who has been researching human-animal relationships after the earthquakes.
Slides from the presentation by Professor Mark Billinghurst (HITLabNZ) on "Using Augmented Reality to Commemorate Christchurch".
Fabric red gerbera with wire and plastic stem.
A green painted stone with a pink heart in the centre.
A yellow painted stone with a blue heart in the centre.
This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.
Four strings of forest green, light green, yellow, orange and purple peace cranes.
Slides from the presentation by Jill Durney (MacMillan Brown Library) on "UC CEISMIC Virtual Heritage Project: Christchurch Lost and Found".
A single red rose head made from fabric, with a plastic base and no stem.