A photograph of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork has been painted around a sign which warns that the building is under electronic surveillance. It also includes the Japanese characters for "mother" and "child".
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
A photograph of a section of an artwork on the wall of a building between New Brighton Mall and Beresford Street. The section depicts a range of native birds.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts two native birds on tree branches.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts a kokako on a tree branch.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts two native birds standing on rocks.
Knox Church Rebuild/ repair on a walk around the neighbourhood May 17, 2014 Christchurch New Zealand.
The latest two great earthquake sequences; 2010- 2011 Canterbury Earthquake and 2016 Kaikoura Earthquake, necessitate a better understanding of the New Zealand seismic hazard condition for new building design and detailed assessment of existing buildings. It is important to note, however, that the New Zealand seismic hazard map in NZS 1170.5.2004 is generalised in effort to cover all of New Zealand and limited to a earthquake database prior to 2001. This is “common” that site-specific studies typically provide spectral accelerations different to those shown on the national map (Z values in NZS 1170.5:2004); and sometimes even lower. Moreover, Section 5.2 of Module 1 of the Earthquake Geotechnical Engineering Practice series provide the guidelines to perform site- specific studies.
Photograph captioned by BeckerFraserPhotos, "This stack of containers protect the facade of New Excelsior Backpackers. Corner of Manchester and Lichfield Streets".
Photograph captioned by BeckerFraserPhotos, "CBD looking east along Cashel Streets. Brightly coloured containers in the new Cashel Mall at centre left".
Uneven paving along the tram tracks on New Regent Street. USAR codes have been spray-painted on the buildings behind. Many have scaffolding holding up their awnings and on their front walls.
A photograph of street art on the side of a building in Brighton Mall. The photograph has been taken through chain-link fencing.
Photograph captioned by BeckerFraserPhotos, "CBD looking east along Cashel and Lichfield Streets. Brightly coloured containers in the new Cashel Mall at centre left".
Existing unreinforced masonry (URM) buildings are often composed of traditional construction techniques, with poor connections between walls and diaphragms that results in poor performance when subjected to seismic actions. In these cases the application of the common equivalent static procedure is not applicable because it is not possible to assure “box like” behaviour of the structure. In such conditions the ultimate strength of the structure relies on the behaviour of the macro-elements that compose the deformation mechanisms of the whole structure. These macroelements are a single or combination of structural elements of the structure which are bonded one to each other. The Canterbury earthquake sequence was taken as a reference to estimate the most commonly occurring collapse mechanisms found in New Zealand URM buildings in order to define the most appropriate macroelements.
A photograph captioned by BeckerFraserPhotos, "A damaged residential property on New Brighton road. The property is on an angle and the garage door won't shut because of damage to the building".
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo.
A photograph of a section of a piece of street art on the side of a building in New Brighton. The photographer believes that the artwork was created by the artist 'Porta'.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts two native birds on the branches of a bush.
This thesis presents the application of data science techniques, especially machine learning, for the development of seismic damage and loss prediction models for residential buildings. Current post-earthquake building damage evaluation forms are developed for a particular country in mind. The lack of consistency hinders the comparison of building damage between different regions. A new paper form has been developed to address the need for a global universal methodology for post-earthquake building damage assessment. The form was successfully trialled in the street ‘La Morena’ in Mexico City following the 2017 Puebla earthquake. Aside from developing a framework for better input data for performance based earthquake engineering, this project also extended current techniques to derive insights from post-earthquake observations. Machine learning (ML) was applied to seismic damage data of residential buildings in Mexico City following the 2017 Puebla earthquake and in Christchurch following the 2010-2011 Canterbury earthquake sequence (CES). The experience showcased that it is readily possible to develop empirical data only driven models that can successfully identify key damage drivers and hidden underlying correlations without prior engineering knowledge. With adequate maintenance, such models have the potential to be rapidly and easily updated to allow improved damage and loss prediction accuracy and greater ability for models to be generalised. For ML models developed for the key events of the CES, the model trained using data from the 22 February 2011 event generalised the best for loss prediction. This is thought to be because of the large number of instances available for this event and the relatively limited class imbalance between the categories of the target attribute. For the CES, ML highlighted the importance of peak ground acceleration (PGA), building age, building size, liquefaction occurrence, and soil conditions as main factors which affected the losses in residential buildings in Christchurch. ML also highlighted the influence of liquefaction on the buildings losses related to the 22 February 2011 event. Further to the ML model development, the application of post-hoc methodologies was shown to be an effective way to derive insights for ML algorithms that are not intrinsically interpretable. Overall, these provide a basis for the development of ‘greybox’ ML models.
Photograph captioned by BeckerFraserPhotos, "Looking south from Alice in Videoland".
A photograph of street art on a building in New Brighton. The artwork includes the phrases "No one is superior, everyone is special", "Occupy Equality Street", and "Love is the child of freedom".
Photograph captioned by BeckerFraserPhotos, "CBD looking east along Hereford and Cashel Streets. Brightly coloured containers in the new Cashel Mall at centre left".
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a shopping trolley in front of the artwork.
On a walk around the neighbourhood, December 3, 2013, Christchurch New Zealand. www.stuff.co.nz/the-press/christchurch-life/avenues/featu...
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.